CHAPTER 14 -- AUTUMN 2002: INTERFACE AT THE LOOKING GLASS COSMOS

SIGNPOSTS: ARCADIA AND WALT DISNEY

DOWN UNDER AND ALL OVER

IS A PICTURE WORTH A THOUSAND WORDS?

By "Gary H."

Friday, September 6, 2002, England -- Harold sent me his first e-mail on 13 January 2000. All it consisted of was the URL for S.P.A.C.E. From there our joint interest in the UFO subject, and what has happened since then, you are able to read on the aforementioned SPACE website, where Harold logged all the "Synchronistic" events.

In truth, if I were to look at all of his material from an outsider's point of view, I would think it was well over the top of normal, even stupid, and out of touch wih reality. Being on the inside of the subject, however, I know different!

Now we have a Dr. Remo Roth looking into what we have. I FEEL IT IS TIME TO SHOW THINGS HAVE PROGRESSED, ON COURSE, UP TO NOW. (Within reason.) Seeing as most of my theories are right on target, how could I prove that TIME is not as most people see it, but fluid, and at the same point back up this statement?

Giving yet another "Coincidence" and a form of proof but OUTSIDE OF THE TIME FRAME, we are talking about TODAY. In short, show that what is going on in Harold's website has the BACKING and the AID of an "alien intelligence" (AI) to bring about a DIALOGUE from ELSEWHERE, and to show Dr. Roth that this is a PHYSICAL FACT, and not the imagination nor wishful thinking on my part, After all, I am most aware of the way most people see the things I tell them. So, a "message" from the near-past for now, may be a way of showing this.

The question of passing the most information in the quickest and shortest way is undoubtedly the best. But how to do it? Now scrolls of writing take a lot of time and doing, a laborious task. As the saying goes, One Pictue Is Worth A Thousand Words, with much more conveyed visually.

So, from this standpoint, and with all that I have just said, I "made" a "communication" for TODAY BACK IN 1997. I will leave it to you, Dr. Roth and others to judge if this communication is on target with what has been logged by Harold on the SPACE site.

AUSTRALIA, ARCADIA, + & -, AND INTO INFINITY

I had the picture shown here taken of myself way back in 1997, WELL BEFORE Harold and myself had met via the World Wide Web, a photo which only gained meaning recently. Now here comes a whole load of "Meaningful Coincidences." Harold, in an e-mail to me the other day, asked me about my thoughts about Chapter 11.

In this item there he mentions oldtime Disney animator Ward Kimball, who died in ARCADIA in CALIFORNIA on July 8 at age 88, giving us a strong pointer to the NUMBER 8....As pointed out bu Harold, Kimball was the man who drew the cartoon figures of the Mad Hatter, the Cheshire Cat and the March HARE ( a big rabbit!), thus linking with the theme of Alice In Wonderland. There is also the fact that Kimball was tied in with UFO DISCLOSURE. A little further on, in another item, Harold mentionns the Celtic-like stone chambers, ancient monuments, noting that there is a chamber off MAGNETIC Mine Road.

In Dr, Roth's item in his Chapter 13 (THE DECORDERS, PART TWO), there is this heading: 18) "THE RABBIT = POTENTIAL NEW CREATION." In this item he begins to say, "The rabbit is a symbol of incredibly intense procreation (as one can see in Australia)..." which associates with photograph of me taken in 1997:

The PHOTO YOU SEE HERE, from five years ago, was taken IN ARCADIA, IN AUSTRALIA on MAGNETIC Island!!!!!!!!!!!!!

Now that is as far away from my home here in England as I could be. That's the first thing. In the photo I am standing under the ARCADIA sign, and between the two posts supporting it. Next, in the the photo I am pointing to the first three letters, "ARC." letters I referred to in a recent e-mailing before this Arcadia connection was made! My thumb is raised in the "Thumbs Up" sig, meaning, all rigth, spot on, everything is OK.

As I said to Harold some months ago, as you get nearer the answer, the stronger the "Synchronistic and Coincidental" events would be. Remember, this photo was taken in 1997, five full years ago!!!

Now, knowing people as I do, there will be some that will say that I am making this up from an old "doctored" picture I just happened to have. First off, I have the negative of the picture, my passport stamp and the rest of the fil from the whole area, and hopefully my stay in the Arcadia Hotel Motel on he island as well, as PROOF.

Again, some people will even say I am just making this all up as a tale as I go along, so how could I prove otherwise? Answer, by the deliberate stance I have taken up! If you saw this photo, you would note that if the post were not there, the main part of my body weigh is well past my right leg, or I would fall over. In this caseI am being supported by the framework. Remember this for later.

I am making two statements in the one "pose" you see in the photo above. From my large waist down, I am in the stance of the "Hanged Man" of the TAROT cards.

However, my LEFT leg is in FRONT of my RIGHT one. This is the REVERSE of the usual stance in the card. The bent leg is usually BEHIND the straight one! In the card, the shell of the fruit acts as the stake the hanged is tied to. I am tied to it by my shadow. This was the best improvisation I could do at the time, as we had to get back to the ferry.

Next, my upper body is in the stance of The MAGICIAN of the Tarot cards. My LEFT arm is raised and my RIGHT arm is being lowered, and my lower forearm is touching the post. Again, this is the REVERSE of the magician in the card set.

Why? To show that the way I was standing was not an accident. If looked at from the "logical" or "scientific" point of view, the way I was standing in Australia was correct for that location. Water goes down the plug hole in the REVERSE direction, hence I reversed my stance.

(There is a REVERSE image, positive and negative images and energy, matter and antimatter, the looking glass reality), as I am sure that Dr. Roth will understand what I am trying to say here, as stated in his Chapter 13, especially in sections 16, 17 and 18).

What better can I do than this to help understand COMMUNICATION "between two worlds?"

TIME IS FLEXIBLE ("Non-Durational" Re: Dr. Gibbs WILLIAMS), as seen here in my back-dated communication. In a way, I ANSWERED some points....

IN 1997 FOR NOW!!!

.... -- As Harold has pointed out in other cases in this E-Book.

There is also the matter of the number 8, as related to the symbol of INFINITY (a figure 8) over the head of The Magician on the Tarot Card, and the age of Disney's Ward Kimball, 88, and the day of his death, 8 July.

Arthur C. Clarke said that any alien technology would seem like MAGIC to humanity. Their COMMUNICATION would be the same as well.

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GARY was not only ON TO SOMETHING PROFOUND with his CREATIVE INSIGHTS, -- but was also "GETTING AHEAD" of information that would come to HAROLD and to to the SCIENTIFIC WORLD later in September, as we shall see in the following accounts....

BEYOND SPACE, MIRROR UNIVERSES GALORE By Harold Egeln Thursday, September 19, 2002 -- The other night I watched a 1972 science fiction movie with an environmental plot, "Silent Runnng" starring Bruce Dern, whose daughter Lorna Dern was in "October Sky," directed by Douglas Trumbull with two songs by Joan Baez and music composed by Peter Schickele. It takes place in this 21st Century and the action takes place in a space station orbiting Saturn. The station has biospheres, re-creations of various Earth environments. On Earth, all forests and flowers, and all of Nature has been stripped away as a conformist humanity lives mundane, routine lives in artificial environments without substance nor depth to their lives. When the Earth Space command orders the biospheres to be destroyed, the astronaut played by Dern revolts, saving one biosphere tended by a robot (an articifical intelligence), with Earthout authorities finding out. Then there is the matter of RABBITS. Once again, the first creatures seen at the movie's beginning are a bunch of RABBITS prancing about in the space station biosphere, with Dern coming on scene soon after. I could not believe that RABBITS, once more and again, appear near the beginning of movies about outer space! We have, let's see, E.T., Red Planet Mars, Roswell, Barberella, It Came From Outer Space, and other prominent science fiction and UFO movies in which RABBITS are upfront. Like maybe the image or archetype was planted there? Perhaps by some LIVING INFORMATION INTELLIGENCE, which is WHAT or WHO we seem to be experiencing Contact and Communication with in all its variable forms and expression? Do we form a New Age religion based on the Cult of the Rabbit? NO! Do we become warren keepers, tending Rabbits? NO! Do we go around wearing Easter Bunny costumes all the time? NO! Are Space Rabbits the real supreme alien intelligence in the cosmos, as mice were in Douglas Adams' "Hitchhikers Guide to the Galaxy"? NO! Rabbits, like Flying Saucers, are FORMS OF CONNECTION, as an EMERGENT, CREATIVE vehicle and/or force. Or so it seems. The latest awareness of rabbits in yet another space movie may be akin to a waking dream bio-engineered or meta-engineered by a necessarily CREATIVE natural force within our lives outside of spacetime (re: Dr. Remo Roth) or a CREATIVE intelligence at the End of the Space-Time Universe or something More Prevelant on all Sides of Space-Time? (See "The Fabric of Reality" book by Oxford theoritical physicist... wait, we're hopping ahead here). Here, as Autumn 2002 dawns, we sit at a SPACE Salon (the few of us willing to talk about the WOW! Signal), with a Major Event in our midst, another large aspect of the overall Close Encounter Enigma, with not much interest among ufologists and scientists (two different breeds, with some Most Excellent Exceptions). We are not the first to encounter and interface with the Looking Glass Cosmos, and not to first to have communication with IT, although ours is a vibrant, alive and engaging communication. At a S.P.A.C.E. Gathering here in NYC in the Summer of 2002 a guest, DR. GIBBS WILLIAMS, the psychologist mentioned within thei E-Book, after listening to everyone having their say about their experiences, said: "O.K. SO, NOW WHAT ARE YOU GOING TO DO ABOUT IT?" Of course, that's a main premise of SPACE, but his reminder is relevant then, and also here and now in our Interface At the Looking Glass Cosmos and its Living Information Intelligence. Writing this, its seems that our "WOW! CONTACT" may have reached such a point, and the events that have ocurred have ended. Yes, the events have reached that question. Have they ended? NO, (as I was soon to discover tonight)!

CONFIRMATION -- FROM NBC AND WONDERLAND

What happened next this night was so bizzarely specific and yet retaining an element of ambiguity and paradox, that it woke me up -- again -- to the realization that the CONTACT is artistically plotted (Time Is An Art Not A Clock, Space Is Its Canvas Not A Territory). Our COMMUNICATION is beginning, as a Creative Emergence.

After writing the entry just before, I tired, but my restless curiosity made me feel adventurous. So, on a whim, I pulled out a couple of recorded videotapes of which contents I had neglected to mark, a habit I have at times, leaving me with dozens of unmarked phantom recorded videotapes.

Before I viewed them, I also picked out a tape with a CNBC segment (now MSNBC, NBC's cable TV network) of a show called "AFTER-HOURS" from April 12, 1996, with three guests -- Don Ecker of UFO Magazine (the U.S. one), actress Shelia MacRae (who played "Alice" on a later version of "The Honeymooners" and the widow of actor/singer Gordon MacRae), and myself.

Then I went to the unmarked tapes. The first, as I fast-forwarded it, contained a variety of programs, including a Northern Exposure episode. The second, as I started to fast-forward, had a two-hour NBC TV network program on close encounters, based on Whitley Streiber's 1998 "Confirmation" book and the program, broadcast in February 1999 had the same title:

"CONFIRMATION: THE HARD EVIDENCE OF ALIENS AMONG US."

I fast forwarded through the program to the next recorded program, and saw A WHITE RABBIT and ALICE! By pure happenstance (or not?) the very next program I videotaped after "Confirmation" on the same tape was the NBC-TV made-for-TV movie "ALICE IN WONDERLAND," apparently broadcast soon after Whitley Strieber's "CONFIRMATION!"

"Now hold your horses (or your rabbits)," I thought to myself, before contemplating that the neatly-placed coincidence may have been a ARRANGED, COMPUTED SYNCHRONICITY, well over a year before the "WOW!" BREAKTHROUGH unfolded. It can be a mistake to make too make of such postionings.

But the videotape, recorded in early 1999, suggests a MESSAGE IN A TIME BOTTLE relating to the WOW! Breakthrough that started unfolding in June 2000, as we shall see!!!!

Curious, I rewound to the last segment of Strieber's "Confirmation" special, about police officers who had a close encounter with an array of UFOs in a TRIANGULAR FORMATION in the Autumn of 1994. The place the sightings took place was in TRUMBULL County in OHIO.

Here we have an association with the word TRUMBULL as in Ohio, referencing the "Silent Running" movie producer Douglas TRUMBULL. Another most intriguing "coincidence," along with OHIO, associated with the transcient "WOW!" signal at a SETI search in 1977.

The TRUMBULL, OHIO report that shows three UFO craft flying in a TRIANGULAR formation, associates with our Triangular arrays of white orbs over Coney Island which triggered Gary's insight in June 2000, and which Dr. Roth addresses in his Chapter 13, section 16 of 21.

We also have ALICE IN WONDERLAND following CONFIRMATION: THE HARD EVIDENCE OF ALIENS AMONG US," with Wonderland providing the "soft evidence" or "software evidence" (as in Living Information Intelligence) of Someone Among Us. Pretty cool!

The Hard and The Soft, The Yin and The Yang, Matter And AntiMatter (the antimatter soft yang through the White Rabbit's and Alice's Looking Glass), relating to Positive ad Negative Engery, as psychologist Dr. Remo Roth describes in this E-Book's Chapter 13.

Now, a wee bit more. At the end of my taping "Wonderland," as the Cheshire Cat (played by Whoppi Goldberg) grins at Alice, the immediate next item on the tape is a TELESCOPE, part of a Channel 13 public TV station promo, providing an instant association with Space.

That leads into a program, part of a PBS series in 1999, called "Women's Lives," this one featuring Hildegard of Bingen with performances of her music by VOX ANIMAE of London.

As that program starts, I feel humbled about the Synchronicity that just happened, as I had been thinking that the SYNC CONTACT was over. As I think that, the program's opening piece shows TAROT CARDS, one with the word "Humility" followed another of THE ACE OF WANDS (magic!)

I immediately associate with the premise of Whitley Strieber's newest, just self-published book, "THE PATH," telling how his interest in Tarot Cards in 1977 provided "the path" to his encounters with his "visitors." It also ties in with Gary of England's Tarot card musings, such as "The Magician" and "The Hanging Man" cards, related in his account of September 9 above (but not entered until later.)

(Please note, for the record, that I do not use Tarot Cards, although I have a deck because they are artistic. I am merely reporting the Tarot cards.)

After the Von Bingen program ends there is a PBS-TV piece on the "Blue Danube Waltz" of Strauss, the music used in "2001: A SPACE ODYSSEY." Another link? I chuckled at the thought. Harold, you've gone bonkers again.

This juxtaposition of 1999 is a CLUE VERY SUGGESTIVE of something that was planned "in 1999" to be noticed and have meaning to us in 2002!? (By "planned" I mean an associative information tie-in showing a universal artificial-type omni-prevelent intelligence.)

What happened here is much as Gary's ARCADIA account told, only with different relating events and sequences for myself. Seeing the patterns that have emerged through the reports in our e-book here, that seems quite likely, although 100% certainity is not guaranteed.

A LIVING INFORMATION INTELLIGENCE?

More observations now. Today The New York Times has a front page story on physicists in Europe creating an antimatter atom for the first time, a history-making event with implications for the future, although natural antimatter has been observed briefly before.

The article, "Physicists' Antimatter Recipe Is More Sci- Than Fi-" by Dennis Overbye, rrefers to the antimatter atom (antihydrogen) as "the LOOKING GLASS equivelent" of the matter atom (hydrogen), which the physicists briefly created.

The article refers, as expected, to famed British physicist PAUL DIRAC's prediction of antimatter way back in 1927. In Dr. Remo's Chapter 13, in his 21 points of "Begriff" (to understand by actually touching), he refers to Paul Dirac's antimatter and relates it to the concept of energy and anti-energy being a prime component of the Creative Process Emerging from Close Encounter Experiences.

(By neat coincidence, while on a news assignment the next day -- Sept. 20 -- I photographed a retired TV technician who worked for NBC-TV's "TODAY" morning show for 35 years, making our NBC connection so soon. Even the TV show's title associates with "TODAY," our "apparent" time now, as both Gary and I note.)

On an deeper level, what seems to be happening is that a Living Information Intelligence has access to or is an active creative element of a Cosmic Universal Computer, as British physicist David Deutch (a Paul Dirac Medal and Prize winner) postulates in a way in his fascinating 1998 book, "THE FABRIC OF REALITY."

Although he most definately DOES NOT relate this to UFOs and Close Encounters, Deutsch does theorize that as the universe and its mirror realities, multiverses, get closer to the Big Crunch, a universe-wide civilization of intelligent life, billions of years from now, will constellate itself into a universe-sized living non-physical, energy computer which has apparent access to all spacetime, including us "now," and is able to navigate the universe toward The Big Crunch without experiencing it as TIME STRETCHES INFINATELY in its own awareness, having "all the time in the world" to do practically anything. That is the OMEGA POINT theory, with the omega point, in a sense, omnisicent.

The concept is far too complex to simply explain here and now, with additionally insights as to how it may relate to Close Encounters. But what we may be experiencing is an EQUIVELENT OMEGA POINT-TYPE INTELLIGENCE (artificial, organic, artifical-organic, pure living energy, or something far beyond present comprehension), but prevelent both within and beyond SpaceTime, at all times, everywhere, brimming with creative potential.

It can manifest, through a vibrantly alive hyperspace computating virtual reality, as solid nuts-and-bolts as well as wispy UFOs, various alien beings, rabbit symbols, entire star-bound or invisibly-based cultures, and much, much more.

And that humans are a part of its VAST WONDERLAND, (NOW IN DIALOGUE with us, as again demonstrated with these latest accounts) and have some as-yet finally explained connection with IT.

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So, as told in Gary's and my own latest accounts here, we seem to be reminded that we have, once again, CONFIRMATION of CONTACT and COMMUNICATION with DIALOGUE. The EVIDENCE (soft and hard, here and Through the Looking Glass Cosmos) is there!

INTO THE WOODS....AND A RABBIT

By Harold Egeln

Sunday, September 22, 2002 -- During this past week of connections and associations with Arcadia, the "Silent Running" movie's space station biosphere with rabbits, the Trumbulls, antimatter creation, and other related matters, I took in a Broadway musical play.

Thanks to a pair of complimentary tickets, a friend and I saw, on Thursday evening, the award winning revival of Stephen Sondheim's "Into The Woods" starring Vanessa WILLIAMS.

It revovles around three basic fairy tales, Cinderella, The Baker and His Wife, Jack and the Beanstalk, along with Rapunzel and Little Red Riding Hood, their happy endings in Act One and their subsequent unpleasant consequences in Act Two.

Now even though there was a WILLIAMS, there was NO RABBIT, white, small, large, invisible or otherwise, so no synchroniciity, so nothing doing.

Until TODAY.

While having lunch with a friend in Manhattan, I was just about to tell him of seeing "Into The Woods," but he spoke first.

"During the week I took a trip to the only woods, what is left of them, in Bloomfield. There, a brown rabbit came up to me, stayed with me and, after awhile, slowly hopped away. In all the time I've been to Davies Park, I never saw a rabbit!" he said.

At that point, I told him of seeing "Into The Woods." Now we have our RABBIT and WILLIAMS, connected by INTO THE WOODS, one in a musical of fractured fairy tales and the other an actual small wooded area in a suburban New Jersey town where I went to college and lived five years before moving to NYC in 1982.

And with the Biosphere FOREST aboard a science fiction movie SPACE Staion in a film with an Environmental Message, linked by producer TRUMBULL and the Ohio TRUMBULL County sighting in Whitley Strieber's "CONFIRMATION" TV Special, followed immediately by the NBC TV movie version of "ALICE IN WONDERLAND."

How neat! How cool! How totally awesome!

Also, I got an e-mail from Gary today about my inclusion of his account about ARCADIA. I also got the latest e-newsletter from a U.S.-based UFO organization, which includes a sub-website, ARC, the Alternative Realities Center, giving us a hint of an ARCadia connection, at an admitted stretch.

And, by another stretch, was that "Silent Running" came out in 1971, the year before I literally went INTO THE WOODS for a whole year, living in a house in 40-ACRES of WOODS in West Orange, New Jersey, where I had a series of seminal experiences, along with others, that would lead to exploring my own close encounters beginning in 1987 and launch SPACE in 1992.

One more stretch. On Friday around midnight a group of people went INTO THE WOODS around Magnetic Mine Road in Bewster, interested in SPACE's experiences there. When nothng happened, they felt that "the mystery deepened."

All these elements are the parts of yet another High Strangeness Cluster, (separately without meaning, tied together making meaning) one of an enchanting string of many such clusters since THE BREAKTHROUGH began on June 12, 2000, fitting INTO A PATTERN and it all COMPUTES.

And only a few days ago I was thinking that the "WOW!" Contact and Communication was over! Now all this, unexpectantly, got me out of the woods and back onto the path of interaction, an interface that goes far beyond the personal into the universal and encompasses both.

With more to come.......

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THE WHITE HORSE INCIDENT

"Harold, there's been a WHITE DOVE hanging around outside my apartment building for many days, over a week, and sometimes it sits on my windowsill. This is unusual, this has never happened before, for a dove to do this, so I thought I'd mention it," said my friend, a longtime birdwatcher, on Sunday (Sept. 22) who went into the small woods in Davies Park and saw the RABBIT.

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E-Mail from Gary "H"

England, September 24, 2002 -- (from part of an E-mail to Harold Egeln).... It has do with a picture of a WHITE HORSE cut out of the grass on the side of a hill of limestone, a picture I took while on holiday.

The famous White Horse can be seen for miles around, and it was done in the Bronze Age, I think, I have no idea as to why things happen as they did, or whether I am reading to much into what happened. It will be just a case of wait and see....

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THE WHITE HORSE BIT

By Gary "H"

England, Thursday 26, 2002, 11:33 p.m. GT (6:33 p.m. EDT) --- (from an e-mail to Harold Egeln) The reason I asked you if you had any "strange coincidences" with a WHITE HORSE is due to what happened while I was on hliday.

As I have mentioned, I went to see the famous WHITE HORSE at Uffington and there was a "Very Meaningful Coincidence" that happened. Again I hope I am not reading too much into events, and I shall try to explain.

I have found that over the years that when I go on holiday, I find, or am given, information that tends to be relevant. It is the understanding of the points made that tends to be the hard part. I have found that if I do things, I let my "self" do what the "I" part of me wants to do. If, however, I let my wife pick what she wants to do, and I follow her lead, I do not impose the "I" part of me on any event. By letting my wife pick what she wants to do, I can just observe. This is just what I did on this holiday, just like the one in Australia to some degree.

My wife chose to have a look at the ancient WHITE HORSE, and I agreed. I have never been close to it and it is an exceptionally well-known momument. It was a lovely day and we walked around the hilltop fort that is still prominent, even after thousands of years. I enjoyed the trip, the peace and quiet of that hilltop, and the surrounding views, and thought little of the event.

Upon returning to our caravan, I turned on the TV set while my wife made the tea. Forgive me here, as I don't remember what the program was called, or who was in it, due to the emotionial jolt I got.

The program was about that very hilltop and WHITE HORSE that we had just walked over! It went into the history of it and some other things that I just cannot remember, the "Meanngful Coincidence" part of things hitting me.

The chance of this happening like it did are thousands to one against. In any one day you could say that about 600 people, at the most, visit this place at this time of year. The chance that a program had been made and shown on TV on the same day as those people went there are also very highly stacked against this happening. The chance that any of these people would turn on the TV at the very same time as the program came on, on that very day they went to the same place, and well within two and a half hours, are very slim indeed.

Again, looking into the probability of this happening, one has to agree that, yes, it could well happen, as indeed it did. However, WOULD any of these people be affected in the way that I was?! I don't think so!

After all, as I have pointed out, and as seen logged on the SPACE website, meaningful coincidences are a part of of my, and yours, life. Hence, it hit me and caused a reaction.

And tonight I received an e-mail that mentioned a WHITE HORSE!?

RABBITS FIGURINES GROW LIFE-SIZE.

Through the rest of the holiday I noticed... RABBITS. Not live on the ground rabbits, but large pottery ones in shop windows. It would seem here is a new trend in the way rabbits are depicted, the stance and expression on their faces being "cheeky" of "whimsical."

Their size is life-sized, seeming to be larger here this year. Normally they would be half-size in order to be placed on a shelf easily. This year, though, it is noticeable that this is not going to be so easy. Their size would take up more space than many people would want.

NOW,,, EGELN"S WHITE "HORSE"

New York City, Thursday, September 26, 2002 -- This afternoon I was given a news assignment by my newspapers to cover a business organization's "Sanitation Think Tank" brainstorming meeting here in Brooklyn with business and civic leaders and city officials. This was before I saw today's message from Gary and a few hours before he wrote his e-mail to me, an e-mail I would not see until I got home later.

Soon after I arrived at the meeting the presenter began showing video clips on a computer monitor. Within moments he showed a clip of what looked liked a WHITE HORSE on a sidewalk in the urban business neighborhood. (Remember, this was before I got Gary's latest e-mail, so I made no connection here or to his e-mail of two days before.)

The presenter said that if one looks closely, the WHITE HORSE is really a WHITE LAMA --- something very rare on a busy Brooklyn avenue, which has a large Latin American population but no lamas roaming the streets.

At this point, a past president of the organization began to laugh outloud, saying it really looked like a WHITE UNICORN, an impossibility. It was a LAMA!

I thought nothing of this until when I later opened up the e-mail box and saw Gary's e-mail on the WHITE HORSE.

His was an ancient Bronze Age giant limestone cutting in the hill and then he saw a TV program soon afterwards about it. Mine was a video clip of a live lama that really looked like a White Horse, shown on a computer monitor rather than a TV set like Gary's. The businessman mentioning a WHITE UNICORN brings in the element of Mythology.

So, we made a WHITE HORSE connection, whatever this might mean!

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"TAKEN" MEETS THE WHITE HORSE

By Harold Egeln

NYC, Sunday, September 29, 2002 -- Today I went to the city's famous South Street Seaport to see, for the third time this weekend, "The TAKEN Experience," a touring exhibit on the upcoming Steven Spielberg "Taken" TV mega-series about close encounters to be shown on the SCI-FI Channel this December. I went with my friend who went to the little wooded area in Davies Park in New Jersey.

Early this evening we went into a Barnes & Noble Bookstore in the Yorkville section of Manhattan, where I showed a UFO magazine that mistakenly described our SPACE website as taking a distinctly "New Age approach to alien abductions," simply not at all true.

I bought a Special Edition of "Scientific American" magazine on "The Once and Future COSMOS" with feature articles about: Echoes from the Big Bang. Does Space Have Borders? Parallel Universes. Energy in Empty Space? The Fate of All Life. Dark Energy and Dark Matter.

When I bought the magaziine, it was placed into a plastic bag. On the bag was a large book cover illustration of "Charlotte's Web" by author E.B. WHITE, Picture by Garth WILLIAMS!

I flinched!

One, we have our WEB, as in WEBSITE, just having shown my friend the false blurb about the SPACE WEBsite. Two, we have our WHITE, as in author E.B. WHITE. Three, we even got our inevitable WILLIAMS snuck into this!

And the illustration shows a girl looking at a spider, surrounded by three animals, a sheep, a pig and a goose, bringing in our ANIMALS.

And INSIDE that bag, that package, is the Scientific American Special Edition magazine about "THE COSMOS" --- SPACE.

Again, it appears we are in an INFORMATION LOOP, in CONTACT and COMMUNICATION with a CONSCIOUS ENERGY Matrix, a seemingly CO-CREATIVE DIALOGUE that comes from our DESIRES and gets a RESPONSE, with WHIMSY.

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"SANTA CLAUS" AND THE "EASTER BUNNY"

By Harold Egeln

Sunday, September 29, 2002 -- The second exhibit that people see in the Steven Spielberg - Sci-Fi Channel's "The Taken Experience" Touring Show is one on the Space Program and NASA.

It mentions that when astronauts see UFOs in space, the code word they use is "SANTA CLAUS," which I have read about before.

A few nights ago I had a vivid dream in which I left "my house" in the woods as TWILIGHT began, kind of a Thomas Kincaide setting come alive. I stepped into the doorway of a house where a lively, colorful Halloween Party was happening, with people in costume.

Unprepared, without a costume, I thought to myself, "I am in costume, as I am. My body is my costume, so I am disquised, so I am in mask." But the thought disturbed me, as my actual thoughts about my actual real-life physical appearance, which I have always thought of as unattractive and ugly, even repulsive, intruded into my dream, and I decided not to enter the house.

As I was leaving, I noticed very tiny, delicate paper figurines at the doorstep, placing them into my hands. They were tiny figures of Santa Clauses and White Rabbits. I thought, now the RABBITS are in my dreams! I carefully saved them, because I felt I had to.

Then, today, at the South Street Seaport "Taken Experience" display on the Space Program and NASA astronauts using the code word "SANTA CLAUS," it struck me hard.

The astronauts refer to UFOs as "Santa Claus." Our cosmic encounters involve Rabbits, as in "EASTER BUNNY." As I saw them combined in my dream of about four nights ago!!! I laughed at the absurdity of the thought, that there would be a dream connection. But, given all that we have experienced in the WOW! Breakthrough, it made Perfect (Non-)Sense --- in an Alice In Wnderland kind of way, of course!

Thus, also, with Santa Claus representing Father Christmas and the birth of a divine being with humankind, and with the Easter Bunny representing Spring and resurrection after the death of that same divine being among humankind, we have an ALPHA and OMEGA connection, the beginning and the end.

And our recent reference to "the Omega Point" at the "end" of our universe, as defined in theorectical physicist David Deutch's book "The Fabric of Reality" and also in physicist Paul Tipler's book "The Physics of Immortality" in which a ly evolved itelligent conscious energy, perhaps a living energy computer that encompasses the entire cosmos, extending intself back and all through time and space -- may offer a CLUE to the Consciousness and Intelligence Energy (with all its denizens) that WE are in Contact with, a consciousness that includes OURSELVES as participants.

The CLUE being that that Entity Group does not exist as the Omega Point of the Cosmos but also at he ALPHA Point of our Universe, and is therefore, NONLOCAL, and is Beyond SPACETIME, as we have thought.

Obviously, since at first glance it seems blatanly absurd, even off-the-wall, this all needs a deeper explanation. But that seems to be the CONTENT of the LATEST "MESSAGE" of our CONTACT and COMMUNICATION, as diciphered now. Which, I feel, must report on. Far-out!

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TWILIGHT RABBITS & CONTACT

By Harold Egeln

Sunday, October 20, 2002 -- This afternoon I went with a friend to see the "The Ages Of Mankind: TIME TO HOPE" exhibit at the Cathedral of St. John the Divine in Manhattan, a marvelous collection of over 100 Romanesque, Gothic, El Greco and Goya religious art from the Treasures of Castilly Leon in Spain.

A reviewer in the New York Times on Friday referred to the exhibit as "Embacing Sensuality and Transports of the Spirit," since the vibrantly alive artwork (from the 12th to 18th centuries) is "plush with sexiness and abject morality." As a lifelong art lover, I enjoyed the artwork very much.

Coming outside into the park on the grounds of the great cathedral, I saw, for the first time, the huge sclupture of of The Fountain of Peace, with St. Michael and Nine Giraffes curled around the DNA Helix, surrounded by the Ring of Peace which included many small animal sculptures, both real and mythical animals.

Among there were two "TWILIGHT RABBITS."

After that my friend and I ate at Tom's Restaurant, made famous by the 1990s TV hit comedy "Seinfeld," near Columbia University at West 112th Street and Broadway.

We took the subway back to the West 50th Street station where we got on it to travel uptown. I call it the "WONDERLAND STATION" because of the four huge ALICE IN WONDERLAND moasic wall murals titled "The Way Out," which figured significantly in our Mothman Prophecies Incidents this past February, as related in those accounts.

Now, in all this there was NO MEANINGFUL COINCIDENCES, NO SYNCHRONICITIES.

Well, not until the RUGBY TEAM appeared!

As we got off the #1 IRT subway TRAIN at West (Wonderland) 50th Street and Broadway, I began to snap photos of the two murals on the southbound platform.

As I was set to snap photos of the second mural, we saw a group of teenage boys coming EN MASSE down the subway platform dressed in BLUE jerseys, with one boy in front holding a RUGBY stick (a distinctly BRITISH game!).

I happened to glance at the embossed emblem on the jerseys. At first glance it looked like CONTACT, which shook me up. But at second glance, it was the school or team emblem, CONNACT. (I'll check on this name.)

The Rugby Boys walked right passed an Alice In Wonderland mural, not a remarkakable event in itself. But the SUBTLE ASSOCIATION WAS CLEAR TO ME, as I then commented to my friend.

CONNACT was the closest "THEY" (whomever is on the other side of this communcation?) could get to the word CONTACT, and, maybe, CONNECT. As we exited the turnstills, I said, "IT'S ALL IN THE TIMING WITH THE LOCATION."

The first thing I saw just after saying that was a flashing word on a Metro-Card machine, seemingly stuck, at first, the word being TIME.

Was this all a SYNC? Perhaps, perhaps not. But given the circumstances, I was reminded of our CONTACT, our COMMUNICATION, our CONNECTION, which, last night, I thought had ended, a thought I frequently have.

If you read the account preceding this from September 29 about "Santa Claus" and the "Easter Bunny," in which I mention a dream at TWILIGHT, where I picked up small RABBIT and SANTA CLAUS figures at a HALLOWEEN Party at TWILIGHT, we have....

Our "TWILIGHT RABBITS," the name of the two small RABBIT figurines on "The Circle of Peace" we saw today, after seeing the rapturous artwork depicting scenes of the BIRTH of a major religious figure, his death and his resuurection, the ALPHA and OMEGA FACTOR, pull togther a Meaningful Coincidence, with our Rugby Team from "CONNACT" at the ALICE IN WONDERLAND TRAIN station.

And today is precisely 11 days before HALLOWEEN (I was at a Halloween Party in the dream), bringing in the number "11." The association being: St. Claire of Assisi, the Patron Saint of Television (i.e., COMMUNICATION), which connects with the CONTACT that began in my life around August 11, 1988 in Brewster in the Hudson Valley. The CLUE, again, is that WE JUST HAD ANOTHER COHERENT COMMUNICATION in our overall CONTACT, conveyed as best as it could be from a Realm Beyond Space-Time...

....as a Third-Dimensional ORB intersecting a Two-Dimensional universe would be viewed as a CIRCLE (the Circle of Peace at St. John the Divine) by its 2-D inhabitants.

In a constant state of QUESTIONS we are, being shown a World of UNDERSTANDING with COMPASSION... That Is the Apparent DIRECTION of this MESSAGE we are being given.... Perhaps?

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THE MORNINGSIDE PROJECT 1993 CONNECTION

By Harold Egeln

Monday, October 21, 2002 -- Quite by neat coincidence this evening I came across an early SPACE Group Project Report from 1993 called "Close Encounters of the Fifth Kind: The Morningside Project" by coordinators "Skywatcher" (a pseudonym) and myself.

The first CE5 attempt of this project, which lasted through 1994 involving dozens of skywatches and many ozens of encounter explorers, mostly in Brewster, began on Saturday, May 1, 1993 on the rooftop of a brownstone apartment building on Manhattan Avenue near 123rd Street in Morningside Heights here in NYC, roughly a dozen blocks north of the Cathedral of St. John the Divine.

In the first pages of our 40-page report, written by Skywatcher, are these sentences relevant to yesterday's journey to the St. John Cathedral:

"The area of Morningside Heights has rather substantial rock formations which might qualify it as a magnetic vortex. Located in the area are Columbia University, St. John the Divine Cathedral and Morningside Park. Our outpost is one block from the park. It is also interesting to consider the fact that cathedrals are usually constructed on special locations. Generally these locations have certain magnetic properities.....

"Soon after the meeting in which we finally realized we were being contacted, I began receiving signals about Morningside Heights. Some of these signals were: An article in UFO Universe magazine, Vol. 3, No. 1, Spriing 1993, in which they have an account of a potental SAUCER CRASH in Morningside Heights in 1952. The article also makes mention of several other craft seen at that location.

"There was also mention of unusual activity at ST. JOHN THE DIVINE, re: a recovered alien body atop a scaffold. Whether any of this is true is up for speculation...."

Now, as a journalist, there nothing that I am aware of to back up a "saucer crash" in Morningside Heights in 1952, nor the recovery then of an "alien body" from scaffold at the cathedral. The defunct "UFO Universe" was a mixed bag and far, far from being "Scientific American"! Of course, I will try to track down this alleged story.

What is intriquing here is that a critical phase of our early contacts began IN MORNINGSIDE HEIGHTS with sightings on May 1, 1993 of nocturnal lights that formed triangles with two stars three times, followed 27 nights later with the formation of three noctural lights forming a triangle shape in Brewster, witessed by 14 people.

And then my coming across our "MORNINGSIDE PROJECT" Group Report tonight, just one day after being in Morningside Heights. And spotting the "CONNACT" rugby team at 50th Street walking past an ALICE IN WONDERLAND moasic mural after a TRAIN ride, trains being a telling dream image connected with close encounters!

And the mention of the "saucer crash" and "recovered alien body" in 1952 -- exactly 50 years ago, and starting and ending our trip yesterday at the West 50th Street subway station, bringing in a "50 connection," which connects to the "50" attempts in the Ohio radio telescope "WOW!" signal in 1977 to find a repeatable signal.

As with the current continuing contact and communication (A REPEATING SIGNAL), we experienced in 1993 a series of synchronicities, dreams, missing time links, odd timely meetings, sightings, body markings, stealth encounters (ka "abductions"), floral scents, sounds, and mediative images, all aspects of close encounters which led to the birth of the Morningside Project by Skywatcher, (like me a basically shy person who prefers to work quietly behind the stage lights).

"As I began to learn more about alien dynamics," wrote Skywatcher in 1993, "I came to recognize their amazing powers of coordination. Their ability to coordinate combined with the marvelous sychronicities of the universe especially in the higher dimensions, makes the probability of longterm alien involvement extremely likely."

Among the conclusions by Skywatcher at the end of the Morningside Project Report (which would be followed later that year with "The Pyramid Project" Report by Skwatcher), were these:

"The aliens are seemingly anxious for real time communication with humans. We've not had to wait longer than 30-40 minutes for them t make themselves visable (referring here to our Brewster CE5s). We feel this indicates a desire on their part for an acceleration of efforts on the part of humans to establish communications.... They want to CREATE WITH HUMANS."

This has been subsequently been borne out over and over again, intensifying with the current phase of CONTACT WITH S.P.A.C.E. begun on June 12, 2000. Perhaps the "Rugby Team" sync was a message not of rugby but of a TEAM EFFORT.

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"CONTACT WITH SPACE": THE WILHELM REICH CONNECTION

By Harold Egeln, October 27, 2002

This evening I received an e-mail from writer Michael Mannion, author of "Project Mindshift" on the education of the American public regarding ETs from 1947 to the present, about an upcoming event for the Wilhelm Reich Museum on this November 4, a talk by publisher Roger W. Straus of Farrar, Straus & Giroux about the banning and burning of books and censorship in the USA centered around physician, psychoanalyst and scientist Wilhelm Reich, who fled the Nazi regime from his Austrian homeland in 1939.

In the repressive 1950s Reich's books were banned and burning by the US government, with the excuse that Reich's books promoted bogus ideas.

At the beginning of November 1957, at the time of the launching of the second space satellite into Earth orbit, Sputnik II by the Soviets with the dog Laika aboard on November 2, Reich died. Straus, since 1959, has been re-publishing Reich's literature. Reich's death not only coincided with Sputnik II with the first Earth creature launched into space, but with a major UFO flap.

As a boy then, I followed all the news about the space program and UFOs, and I was affected by the news of Reich's death mainly because I, too, under different circumstances, suffered official repression just seven months before in April 1957. For reporting two UFO sightings to children in the schoolyard, who enjoyed my studies as a young amateur astronomer, I was suspended from school, and my parents were instructed to throw my UFO and astronomy books and my telescope and mini-planetarium into the garbage, which they did on instructions from the school psychologist.

So, naturally, I identified with Wilhelm Reich, who wrote a book "CONTACT WITH SPACE" only a few years before.

THE NOVEMBER 1957 LINK WITH NOVEMBER 2002

Getting Mannion's e-mail tonight made me think about that connection. The event on this November 4 is almost 45 years to the day of Reich's death, the time of Sputnik II's orbiting and the huge UFO flap, the biggest in the US since 1952.

The upcoming event is at, of all places, the WILLIAMS Club, which factors as an appropriate association with our WOW! Contact recurrent theme of WILLIAMS SYNCHRONICITIES. The Williams Club is just a couple of doors west of the CARL JUNG Center.

When I began exploring my close encounter experiences with psychologist Dr. Jean Mundy in July 1988, a friend of mine who is a psychic and I were getting, separately, specific information about having a "contact" or "conscious, real-time close encounter of the fifth kind," which would lead to that event on Upper Magnetic Mine Road on August 14, 1988.

My friend the psychic was an ardent student of Wilhelm Reich's ideas and books, mostly in Reich's bold ideas on human sexuality, and she also claimed to have a psychic link with Reich then, a link which gave us "information" about our planned CE5, which turned out to be valid.

So, not only did I, as a young boy who was surpressed by authorities, identify with Reich at the time of his death in November 1957, but the author of "CONTACT WITH SPACE" factored into the successful CE5 we had in Brewster, NY, on Agust 14, 1988, four years before S.P.A.C.E. was formed.

Now, there are real life reasons why the WILLIAMS CLUB was chosen AT THIS TIME for Roger W. Straus's presentation. BUT, there is that subtle undercurrent of apparent co-creative synchronistic-driven processes that are causing a meaningful association, once again, when least expected.

The CONTACT WITH S.P.A.C.E. continues to emerge!!!

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ALICE IN A SPACE-TIME THEATRE

By Harold Egeln, Jr.

Wednesday, October 30, 2002, NYC --- The Cheshire Cat grins again, on Halloween Eve, this time in London and Lancaster.

This evening when I came home from the newspaper, after a bitterly difficult day, I checked my e-mail and glanced at the website counter for the day to see how people found the SPACE website today.

One click led me right AOL Search. The visitor's search was for "search the web for time and space." The very first website on the very first page of that search was SPACE, followed by the Lancaster Catalog website with references to an Alice In Wonderland 1981 animated film, then the SPACE "WOW! Signal" E-Book, and, three sites on the list later being the Absolute Arts website in London. I entered the site which brought me right into a page there on "TIME and SPACE," an exhibit being staged at The Theatre Museum there by the Society of British Theatre Designers.

The show is about "different approaches to handling time and space in production," the blurb reads, which are: "Design Process, Narrative Time, Once Upon a Time, Periord Recreations, Time Transposed, Allusions to Time, Movement in Time, and Space and Color and Light in Time and Space."

The introduction continues (bold type will be ours): "Works displayed by award winners at the 1999 Prague Quadrennial included Elizabeth Ascroft's ALICES ADVENTURES IN WONDERLAND, a promenade performance in WILLIAMson Park in Lancaster, which became an installation piece...."

Wow! Somehow this unknown visitor found our website on an AOL Search page that had the...

1) ...Absolute Arts website in LONDON, the capital city of Gary's country, and gave us, right away...

2) ...references and associattions, through the theatrical theme of "TIME and SPACE,"....

3) ...to our ALICE'S ADVENTURES IN WONDERLAND...

4) ...with the name WILLIAM contained in WILLIAMson Park.

A rather jolly good remarkable on-target and timely coincidence. And so soon after the other WILLIAMS Club connection related in the account just before this just an evening ago.

Not only that, another website visitor found us through a search index that featured SPACE on the first page of that search, followed by another site that began wih the word "ALICE," but not in reference to Wonderland's Alice.

NOW, this evening I also found a copy of the newspaper I work for dated April 18, 1986, and, specifically, a page with a photograph with the headline:

P.S. 180's 'JOURNEY THROUGH TIME'

Of the five children in the photo, one is wearing a WHITE RABBIT costume!!!! Back in April 1986, a journey through time.

RIGHT NOW, as I write this, announcer Midge Wolsey on WQXR, "the Classical Radio Station" is talking about a program this Friday evening featuring celestial music, a program called...

"UFO."

You can check the Absolute Art website here for confirmation of all this for yourself. We have ABSOLUTE PROOF of CONTACT in a PROMENADE ARTFULLY DESIGNED and INSTALLED. How specific can one get?

GALAXY QUEST: WHITE RABBIT REDEUX

By Harold Egeln

Saturday, November 9, 2002 -- Can something, that was unplanned and unexpected in our everyday realty, that happened two nights ago have been "known" on September 6, 2000?

On that evening, 26 years ago, Gary H. in England went to see the light-hearted 1999 sci-fi movie called "Galaxy Quest" starring Tim Allen and Sigourney Weaver, a spoof on a long cancelled Star Trek-type TV show and Star Trek conventions (of which I've attended many since 1976!), and how the acting cast is enlisted by real space aliens from another galaxy to help them. The movie was a one night showing.

Gary was disappointed that there was no "breakthrough connection" from the movie to our synchronicity-driven episodes. Wrong! The full account of what happened that night of September 6, 2000 is given in our report in Chapter Two of this e-book, titled, "THE WHITE RABBIT'S QUEST, AT A THEATER," dated September 8, 2000. Here's part of it:

After the movie, "a friend, who has no interest in the Breakthrough and who is unaware of the chain of connections involved, suggested that Gary check out the movie theater's brochure of upcoming scheduled films.

"As he (Gary) did so, an advertisement slid across the brochures, resting directly upon them, in which the one-day only showing of "Galaxy Quest" was listed. As Gary began placing the advertisement that slid across the brochures back into place, he glanced to see what it was for. It was for a movie version of ALICE IN WONDERLAND!

"The cartoon ad did not show Alice, the Mad Hatter, the Queen, but showed the WHITE RABBIT,...in a great hurry, glancing at his large pocket watch, with the Cheshire Cat watching the rabbit." Gary was flabberghasted.

A REPEATING PATTERN & SIGNAL

Two nights ago, on Thursday evening, November 7, 2002, the ABC-TV network here in America had the broadcast premier of "Galaxy Quest," which I had never seen.

During the breaks in the movie showing, there were commercials about the 100th birthday of Walt Disney showing scenes from the 1951 Disney classic version of "Alice In Wonderland" with scenes of the WHITE RABBIT running with its pocket watch into the RABBIT HOLE as ALICE follows.

Now what are the CHANCES that GARY, in England in September 2000, and that I, in America in November 2002, have DIRECT CONNECTIONS with the movie "GALAXY QUEST" and movie versions of "ALICE IN WONDERLAND"????

True, the ABC TV broadcast network is owned by the Disney Corporation now, so Disneyland and Disney World TV ads are common.

BUT, both GARY and I had ads, one in print and one on TV, about the Wonderland movies, albeit two different versions, while just having seen (Gary) or seeing (Harold) "Galaxy Quest," a fantasy movie about SPACE TRAVEL. And both were ONE NIGHT SHOWINGS.

And in both versions of those ads, for Walt Disney's and Daniel Austin's movies, the WHITE RABBIT is IN A HURRY, "Late for a Very Important Date."

Taken alone, it could be a mere coincidence. BUT TAKEN in CONTEXT with all that has been happening, it SUGGESTS (since we can never be totally sure... which is another pattern) A DELIBERATE DESIGN AND INTENTIONAL PLAN promulgated, from our viewpoint, 26 months ago in September 2000 to connect with November 2002.

And it involves A QUEST, a SEARCH. Which is what we are on!

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THE BIG EAR'S BIG WOW! -- ANOTHER MAJOR CLUE

By Harold Egeln

Wednesday, November 13, 2002 -- There are clues "planted" back through time in our "WOW!" signal message, as this evening I was startled, once again, by such a clue, this one from seven years ago.

Tonight I came across a videotape with no label of contents on the box, except for a "Light Quest - Abductions, Dreams - Harold Egeln" tab on the tape itself. It was a tape of a Manhattan cable TV show called "Light Quest" I did back in 1995, interviewed by host Brian McCormick.

But there was more recorded on the tape, and there's the rub! Immediately after the 30-minute "Light Quest" show, I was shocked to discover that I had recorded Walt Disney's 1951 movie classic, "ALICE IN WONDERLAND," which was broadcast on the ABC Disney show in 1995.

The juxtoposition of "Alice In Wonderland" right after the taped show struck me as strange. But, of course, there was another association on the tape to REINFORCE the ASSOCIATION.

Later on the tape I had recorded a Fox TV "Sightings" program with host Tim WHITE. There was a segment on "THE BIG EAR," about Ohio State University Observatory's SETI project, which discovered the once-heard "BIG WOW!" signal from space on August 15, 1977, 25 years ago.

"It was exactly the kind od signal we were looking for...narrow band...clearly of intelligent origin..." said Bob Dixon, the observatory's assistant director in the segment.

Big Ear volunteer Jerry Ehman, who noticed the strong signal spike on the computer printout and wrote "WOW!" next to it, told of his discovery.

Dixon said, "It turned on or off, as we were watching it, which is further indication of intelligent origin." Subsequent efforts to detect the signal failed. And the Planetary Society, said its directory, Dr. Louis Friedman, doubted that the "WOW!" was from an ET civilization, although the Society funded the Big Ear after federal government funding stopped.

The segment ended with a filmed scene of golfers near the radio telescope, quite a different shape that the illustration shown here, and with Tim White saying that the telescope was in danger of closing down, which it did a few years later as part of the golf course's expansion.

As our e-book readers know, this golf and Big Ear link came to our attention this past January, as reported here. This is all very weird, but it has happened before in videotape recordings. Perhaps mere chance coincidence? "In a pig's eye!"

And our last entry of a few days ago about the movie "Galaxy QUEST" associates amd relates to the show on this tape, "Light QUEST" with that word "QUEST." and both have 1951 Disney "ALICE IN WONDERLAND" movie connections.

Again, we have a REPEATING PATTERN at play here, an ASSOCIATION of INFORMATION, much as if a COMPUTER or ARTIFICIAL INTELLIGENCE were at work, as we are on A QUEST for the truth behind close encounters.

As the actor James Wood, playing the president's science advisor in the movie "CONTACT" said about the 18 hours of static on Dr. Arroway's VIDEOTAPE of her claimed trip and contact with ET, "Now, that's interesting."

Or as Jodie Foster (SETI astronomer Dr. Arroway) said, as a child actor in a scene in the 1974 movie "ALICE Doesn't Live Here Anymore," "That's Weird!"

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MOTHMAN LIVES, THE CONTACT CONTINUES

By Harold Egeln

Staten Island Mall, New York City, Sunday, December 1, 2002 -- This past summer "The Mothman Prophecies" movie starring Richard Gere and Laura Linney came out on DVD, to my frustration since I do not have a DVD player.

Now the movie, based on John Keel's book, is on videotape at an affordable price. So, today, to my delight, I bought a copy at a Suncoast Video store at the Staten Island Mall.

Since the movie connected with so many synchronistic events and insights when released this past February, I was very glad to finally get my own copy.

Not expecting any "syncs" now with it, since I was not looking for any, soon after buying the movie, I went to the Sears store to use the restroom. When I re-entered the mall walks, a black insect flew into my face, what appeared to be a tiny dark MOTH. I brushed it aside.

I remarked to my friend what just happened with the moth, and noted that I cannot recall ever encountering a moth in the nearly 30 years that I have been coming to the mall. This hit me later.

THE WAKE-UP CALL

Viewing the movie this evening I noticed another possible sync. Journalist John Klein, in bed at the Avalon Motel, gets an unexpected "wake-up call." He looks at the clock. It's 6:13.

Now, our "Contact" breakthrough began on June 12, 2000, or 6/12, our unexpected "wake-up call." Close enough for me, 6/12 and 6:13, knowing how these experiences happen, leaving a thin margin of doubt.

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