Dr Hermes Reviews - THE PHANTOM


THE GOLDEN CIRCLE

(Oct 19, 2002)

              From May 1973, this is a very weak entry in the series, with nothing to recommend it. If you had never read any stories about the Phantom but were curious, THE GOLDEN CIRCLE wouldn`t exactly excite you to rush out and buy more of the novels or (much better) trade paperbacks collecting the original strips. More likely, you would wonder how this character has survived for so many years.

        This book was adapted by Ron Goulart (credited here as `Frank R. Shaw`). While Lee Falk`s original 1939 storyline was okay, if a bit pedestrian, Goulart does nothing to spark it up. The dialogue is flat and mere exposition, except for frequent observations on trivial matters by the characters. These asides don`t add anything to our understanding of the situation or the personalities and comes across as so much filler.

          There is a lot of early 1970s pop culture in the clothing, slang and attitudes which seems much more dated than Saint stories written in the 1930s.

            THE GOLDEN CIRCLE could be edited in a few minutes into a generic private eye thriller. Replace the name `Walker` with Mike Shayne, edit the references to the costume into a rumpled suit and beat up fedora, throw in one or two references to brandy chugging, and you`ve got a Michael Shayne book. The story takes place almost entirely in the area around Long Island (with only a brief scene in the Skull Cave at the end), and no explanation is made of the Phantom`s heritage or mission... he seems to be just a wandering vigilante. Diana Palmer isn`t even mentioned, And what vexes me most is that Devil is put in a private kennel after the first few chapters and spends the book pacing back and forth and sighing for his master. The partnership between the man and the wolf is one of the most appealing aspects of the Phantom series.

            Entirely by chance, the Ghost Who Walks learns of a ring of women jewel thieves, forty members strong, who are willing to kill if necessary but prefer not to. Their emblem is a small pin, a gold circle with an arrow through it. Blamed for a murder they committed on the very train he is riding, the Phantom responds as almost any pulp hero would..he knocks the police lieutenant cold as a fish, jumps off the train and starts to investigate. Most of the book is made up of our hero trying to infiltrate the Golden Circle while rather casually staying a step ahead of the police on his trail.  As presented here, the situation shows none of the interesting complications which could have been developed. We know the Phantom is loyal to Diana and won`t lead the jewel thieves on, and the way they all get mushy and schoolgirlish around him seems to be just a reaction to the fact that he`s big, handsome, mysterious and confident. The only one of the Golden Circle ring who shows any recognizable personality is Beth. The oldest and most hardened, she has no smooch interest on her mind and this leads to discord in the ranks.    


       The idea of a network of female crooks might have had some titillation factor long ago when this story first appeared in the newspaper strip, but that`s long gone now. TV and movies for the past twenty years have given us so many tough, violent heroines raiding tombs, slaying vampires, and warrior princessing that the image has become common. The heists are presented clearly enough but with no real tension or surprises. This has to be one of the weakest books in the series, if not the actual worst.

THE MYSTERIOUS AMBASSADOR

(Aug 3, 2002)
 
 From July 1973, this was written by Lee Falk based on his original newspaper strip, and it's a completely satisfying pulp style novel. The Phantom goes after a brutal general who has stolen the election in Bangalla and cheated the people. Civil war and mass slaughter are impending, the neighboring nations are uneasy, and a team of United Nation medical volunteers has been taken hostage -- and among them is a beautiful young American woman named Diana Palmer. So as you might expect, a white horse soon thunders from the Skull Cave, with an angry rider.

        Much of the reason why this book is so satisfying is that the main villain, General Bababu, is clearly based on Idi Amin. One of the most atrocious tyrants in modern history, Amin not only was responsible for the deaths of 500,000 of his fellow Ugandans, along with torture and terror and mass rapes, he got away with all of it. As far as I can find out, he still lives in luxury in Saudi Arabia, unrepentent and unpunished. So it is a deep vicarious pleasure to see Bababu pursued and brought to justice by the Phantom.
[A serious correction here, as it has been brought to my attention that this book was based on the newspaper strip which first appeared in 1962...several years before Amin came to power. Sadly enough, there were many other African military dictators in office after the colonial periods which could have served as a model for Bababu.]

Lee Falk's prose style is just right for this kind of story, descriptive but not ornate, with a strong sense for the dramatic image. The Phantom is at his best, going straight up against a literal army of half a million soldiers and heading directly for Bababu. Other writers in this series underestimate the Phantom's use of pyschological intimidation. The skull marks left on shattered radios, smashed tables, and the broken jaws of unconscious soldiers have a believable effect of unnerving the thugs our hero is hunting. Even if you hadn't grown up in the jungle, finding those skull marks all around you would be unsettling.

Falk makes an observation I had wondered about before. The sworn enemy of pirates, who used the skull and crossbones as their emblem, it seems an odd symbol for the Phantom. ("It is ironic, and not accidental, that the first Phantom, seeing his father killed by pirates, took part of the time dishonored insignia of piracy for his mark.") And of course, a skull symbol IS scary. If you saw one on anything, you'd steer clear of it.

By the way, the Phantom's protective "good mark" is usually described as being four crossed sabers or four capital Ps. But doesn't it seem more likely that it was originally the crossbones part of the pirate flag? Did Lee Falk ever mention this, or why its derivation was so ambigious? Any Phantom experts out there know?

 Our own Diana Palmer is, as usual, right in the middle of all the shooting and shenanigans. If she wasn't the Phantom's beloved, I'm sure she'd still be getting into all kinds of dangerous adventures.. . it's just her personality. If she carried a gun or had mastered martial arts a bit more, she'd be right up there with Modesty Blaise and Honey West in the pantheon of gorgeous women who can kick your ass. At least she gets to spend a few happy days visiting her boyfriend at his home, picnicing and swimming and possibly seeing him with more than his mask off. (Well, after all, there has to be a 22nd Phantom some day to cary on the line...)

One bit of Phantom trivia is that "Kit Walker" is not literally his true identity. He uses the name Walker for convenience, but the traditional first name of the first born males, Kit, had been "discarded by him long ago." So the Kit Walker name is just a useful pseudonym at this point. He also seldom introduces himself, but if asked directly if he is the Phantom, will sometimes affirm it.

It's always great seeing Devil taking part. He's a lot more help to the Ghost Who Walks than most heroes' sidekicks, and he never gets tied up or knocked out by a pretty girl and have to be rescued. I especially enjoy the way the Phantom explains to a prisoner that the mountain wolf has been trained to fight big cats three times his own weight, but he's not a good retriever ("A good retriever... brings back the game undamaged. Devil never learned to do that.") So when Devil is guarding you, it's best to just sit still.

Even Hero, the great white stallion, gets a moment to shine. The most neglected member of the cast, Hero seldom gets to do more than just gallop like mad back and forth through the jungle, but here, when a captive tries to escape on him, Hero bucks and throws the man twenty feet away. Still, I wish the horse had more chances to show some intelligence or courage. Compared to Silver or Trigger, he's underused.

 Finally, it's worth noting that although the Phantom is a mediator and keeper of the peace between the tribes, he's not a dictator himself. When he calls a council of all the tribal chiefs in this emergency, he abides by their decision, even when he strongly disagrees with it. And it's interesting to speculate that the Phantom may not appear particularly "white". Not only has he spent his life in Africa (or India, in the earliest concept), but his lineage is so mixed (I seem to recall the earlier Phantoms marrying Asian and Arab brides), that he probably is as dark a bronze as Doc Savage.

THE MYSTERY OF THE SEA HORSE

(Nov 24, 2001)

From August 1973, this is only fair. It's bearable but tells us nothing new about the Ghost Who Walks or his world that fans don't already know, and the story itself is a pretty bland mystery.

Adapted by Frank S. Shawn (actually the prolific but uninspired Ron Goulart) from Lee Falk's original 1940 newspaper strip, part of this book's lack of excitement might come from its origins. The specific power of comics is in its combination of words and images. To throw in a big word, they have 'synergism', an effect greater than either ingredient has seperately. Reading Lee Falk's early strips (I just finished "The Sky Maidens" in a Ken Pierce reprint), the pictures provide a lot of information that the narrative and dialogue don't have to repeat, and the words add either extra emphsis or ironic counterpoint to what the pictures tell us. In adapting the comic strip to a straight novel, Shawn gives us a version of the original Sea Horse story but doesn't replace what's lost with anything new. He does give the secondary characters a lot of idle chatter, but nothing clever or revealing--just filler.

Once again, the lovely but trouble-prone Diana Palmer gets mixed up with a charming playboy who has dark secrets, and who ends up being pursued not only by the Phantom, but by federal agents and by an obssesed Mossad agents. There's a good deal of running back and forth, with Diana tied to a chair in a burning house, the Phantom slugging unwary guards, and it's all very familiar.

Early in the story, Diana is a house guest of the sinister Chris Danton, and she blithely strolls into his library, spots a book on Bangalla and accidentally touches a wall ornament that causes
a secret panel to open (as we hear in our minds the voice of Gene Wilder: "Put the candle BACK!") Diana, this can only lead to trouble with your host.
Also, while in Mexico with the Phantom, trailing criminals who have already tried to kill them both, the Ghost Who Walks tells her to stay in her hotel room while he checks out a lead, and she promptly wanders out to buy some colorful shirts to take home. Frankly, the Diana Palmer I've always liked in these stories had a bit more sense than that.

We do learn that the Phantom has a waterproof pocket on the inside of his wide belt (I've sometimes wondered where he produces money as needed; today, he would probably have a Gold Visa card made out to Kit Walker). As a side note, considering the actual treasure (gold, jewels, etc.) and historical artifacts (Excalibur, Cleopatra's asp) that he has in his Skull Cave, I would think the Phantom would be ranked among the wealthiest of the classic adventure heroes. Doc Savage, with his Mayan fortune invested in worldwide business enterprises, was probably the richest man in pulp fiction, while the Shadow (with his Xinca gold) and the Avenger (with his Aztec gold) fell short. So I would think it would be in order: Doc, the Phantom, the Avenger (a businessman in his own right), and then the Shadow (who was not above usurpring Cranston's wealth). Of course, there was that Bruce Wayne guy...and Lord Greystoke always seemed to be well off...



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