CLOSE ENCOUNTERS NEWS -- Page 7


"DONNIE DARKIE" - A MOVIE METAPHOR ON CLOSE ENCOUNTERS?

The movie "Donnie Darko" by young director Richard Kelly is a popular film about a troubled teenaged boy haunted by a six-foot-tall rabbit and living, for over 28 days in October 1988, in an alternate timeline.

It has gained popularity and cult movie fame after being shown in theaters and on DVD, since it first debuted in December 2001 in the United States and a year later in England. Last July "Donnie Darko - The Director's Cut" was released in theaters, with 16 additonal minutes left out of the original, and in March that was released on DVD.

Now what does this have to do with Close Encounters and UFOs? Maybe everything! This feature story attempts to make that case.

"DONNIE DARKO" MOVIE - RABBIT REDEUX ALLEGORY & INSIDE THE CLOSE ENCOUNTER EXPERIENCE

By Harold Egeln

Easter Sunday, March 27, 2005 -- There are no UFOs, space aliens nor overt abductions in the popular 2001 "Donnie Darko" movie. At first glance.

But for some people who live deep within the close encounter experience, this remarkable film by first-time director Richard Kelly, born in 1975, is a cinematic Easter basket filled with tantilizing clues and references to that experience, resonating with them. Whether Kelly intended it that way, using the movie as a secret code or not at all (perhaps even subconsciously), "Donnie Darko" is an essential insider's guide deep into the UFO mystery.

This story of a brilliant and troubled high school student, Donnie Darko, 16, is played superbly by actor Jake Gyllenhaal. He also starred in the true-life "October Sky" about the inspiring effects on a future rocket scientist of the first space satellite, Sputnik I, orbited by the Sovet Union in October 1957.

In "Donnie Darko" the teen boy's life is saved by a mysterious figure in a six-foot tall rabbit costume, named Frank, when the rabbit tells him to "Wake Up" from his bed and is led out of his house, sleepwalking, to a golf course. Frank, while the size of "Harvey" and visible only to Donnie, is like a phooka, a mischievous elemental trickster.

While Donnie's out, a jet engine falls onto the Darko family house, crashing through Donnie's bedroom. Where the jet engine came from, the FAA does not know, with a real artifact that fell from a jet-plane that does not exist, the engine's serial number burned. Or so it seems, as Donnie, like Lewis Carroll's Alice, embarks into adventures through a time portal wormhole, like a rabbit hole, into a "Mad World" of an alternate reality. without realizing it at first.

What Donnie Darko soon learns is that he is living through an alternate time-stream in an unstable "tangent universe" Earth paralleling our "primary universe" Earth for a period of 28 days, six hours, 42 minutes and 12 seconds between the beginning of October 2nd and Halloween Eve in 1988 the year of the movie's action.

The action and storyline takes place within the context of a high school, where conformity reigns and creativity is stifled, in a sterilizing 1988 Virginia suburb that has bullies, hypocracy and a deep mystery of which 16-year-old Donnie is the experiencer.

In July 2004 we reviewed the movie after viewing it three times in its theatrical re-release, noting the several ways the movie's themes, images, script and events relate to the close encounter experience.

Readers may want to, if they have not read that account (or even if they had), visit the following link and find that review telling of those important associations.

They include:

** A messenger-trickster-guide Rabbit (Frank), Rabbits being an archetype and ancient mythological figure in diverse cultures all over the world.

** Precognitive dreams, which are part of the encounter experience.

** Synchronicities (odd meannful coincidences), the recurrent pattern of the "WOW! Contact."

** Time travel and time distortions, the latter as told in close encounter and UFO reports, as in "time is speeding up, time is slowing down, time stops, time stretches."

** A tramboline (an encounter dream image).

** "End of the world" warnings (often related in encounter experiences, reports and dreams).

** The name "Williams" (a "WOW! Contact" pattern).

** The "Wake Up" first words of Frank, the Rabbit, his "Follow Me" instructions and "I've been watching you" revelation to Donnie.

** The Mirror, as Donnie Darko looks through it and finds that it is flexible, rubber-like and shows the Rabbit within, like in "Alice Through the Looking-Glass."

** A therapist, who in the course of her sessions with Donnie, is confronted with his new anomalous experience of the Rabbit and she must now deal with this in her therapy with him.

These, and more, are mentioned in the July 2004 articles, in "The 'Donnie Darko' Movie: A 'WOW! Contact' Link?" - July 29, 2004, with an earlier reference in "Donnie Darko & Frank, the Rabbit" - July 18, 2004, and they are in the context of other interrelated accounts. This feature builds upon that discussion from this past Summer, and subsequent discussions from others who have seen the movie:

There are many ways to tell the close encounter saga and many interpretations of it (as seen in the variety and diversity of the UFO literature), with advocates of "what's-it-all-about" presenting their conclusions based on their hard-work.

Exploring that experience does require diverse perspectives and approaches, both working together and, for the individual witness, on a personal level. The close encounter experience is, in itself, a multifacited tableau that may defy known definations and labels -- it is a true story beyond time and space as we know it.

And, therefore, the tale of "Donnie Darko" is one way to tell that true story, with Richard Kelly as the Storyteller here. It's a conceit as old as human history and part of the drama of being human, searching meaning and truth.

Through a study of the movie, seen several times in the theater and now on the new DVD, and a study of "The Donnie Darko Book" by Richard Kelly (Faber and Faber, London, England, 2003), along with other sources, we state our case for "Donnie Darko" as an Experiencer film, as well as, mentioned by film critics such as in The New York Times, a recent example of "spiritual cinema."

SETTING THE "CLOSE ENCOUNTER" CASE

In the "Donnie Darko Book" in the "Asking Cosmic Questions" interview of Kelly, now 30, by Kevin Conroy Scott, it is noted that Kelly's father, Lane Kelly, worked with NASA and helped develop the cameras on the two NASA's Viking landers which set-down on Mars in July 1976.

Kelly mentions the influences on him of two Stephens: horror, sci-fi novelist Stephen King and physicist Stephen Hawking's "A Brief History of Time." Also, the influence of mythologist Joseph Campbell.

Inspiring Kelly's love of film were filmmakers Steven Spielberg ("ET"), Robert Zemeckis {"Back to the Future") and Cameron ("Aliens"). Of course, Spielberg also did "Close Encounters" and Zemeckis, "Contact," not mentioned in the interview, as we read between the lines.

There were also Terry Gilliam ("Brazil" and "Mighty Python and the Holy Grail" -- the latter which featured a giant killer rabbit) and Peter Weir ("Picnic at Hanging Rock" -1976- , which this writer felt back then was a subtle stealth close encounter mystery movie couched in the mysterious disappearance of school girls at a Valentine's Day picnic a century ago).

"To me both of these guys, in completely different ways, are develing into a metaphysical plane... Weir's trying (in "Picnic at Hanging Rock") to grasp a piece of the unknown through human experience." Those are Kelly's "inspiration."

In "Donnie Darko," Kelly states, he combines "an undercurrent of absolute realism" and "a high degree of naturalism" as he includes "time portals, a bunny rabbit and liquid spears growing out of people's chests." He later said of this surrealism mixed with realism, that "we were trying to do a Salvadore Dali comic book."

The interviewer says that the reason the movie was so successful was its "ambiguity." In his response, Kelly states, yes, "there is not a single, simple solution" given as to what's really going on in the movie. Ambiguity and lack of a conclusive solution are often characteristcs of close encounter experiences and have both preplexing and propelling effects on witnesses.

In the movie Kelly throws in bits about the cute "Smurf" craze of the 1980s, little blue elflin-like creatures, and the movie discusses their fabled sex or lack of sex life. Here we have characteristics of UFO reports: blue light, otherwordly beings and humans wearing blue outfits, and the controversial sexual elements in encounters: is it transgenics? Is it an interst in human sexual devlopment or repression? In the interview, Kelly calls the Smurfs "a controversial cartoon that is also a cultural touchstone." [This writer has a whole Smurf collection!]

In scenes where Donnie is hypnotized by therapist Dr. Thurman (played by Katherine Ross, famous for the original 1970s "Steppford Wives" movie), Kelly notes that "when Donnie is hypnotized, you see the terror in her eyes," with "terror" being a reported effect of many (not all) emotions generated by the encounter interface... As in terror of the unknown, terror of interfacing with a strange new paradigm that shatters reality and worldviews, or opening levels of awareness hidden from consciousness, setting a creative stage etc.

Donnie was seeing the therapist before the mysteious giant rabbit appeared and has been getting medication prior to this. Now Dr. Thurman is confronted with an extraordinary anomaly and she somehow must deal with it in her therapy with Donnie. This reflects the state of many mental health professionals today who are clueless to how to intergrate close encounter and related phenomena into their theraputic process when it arises. It also demonstates to us the important work of organizations such as the John E. Mack Institute.

Two novelists and their books are topics in the movie: Graham Greene and his "The Destructors" stories and Richard Adams and his "Watership Down," which tells of the life of a rabbit warren from the rabbits' viewpoints.

Kelly tells the interviewer of his frustrations and many obstacles in getting backing for his movie, but he also tells of his determination to see it made. That dedicated mission served him and the move audience very welll.

As we explore the film in the light of our close encounter experience and knowledge, the latter always being incomplete, we take part in the movie as we are compelled to take part in the close encounter experience. The film, writes Jake Gyllenhaal in "The Donnie Darko Book" Foreward, "requires his (Kelly's) audience to participate in the process of figuring it out with him."

"A WICKED SPIN ON E.T."

In the bonus DVD in the "director's cut" of "Donnie Darko" DVD set, a fan and film critic, in the British documentary "They Made Me Do It: The Cult of Donnie Darko," says of Frank, the Rabbit: "I think that Frank was a wicked spin on E.T., some kind of visitor from outer space with the message that can't be quite communicated."

This could be said, to an extent, of the RABBIT image and symbol recurrent in the "WOW! Contact" reports, as related in the "Project Wonderland Chronicles" e-book.

But here we have it re-set and re-cast in "Donnie Darko." As if Kelly did this on purpose, perhaps at some point in 2000, when our "WOW! reports were first told, maybe having glimpsed the S.P.A.C.E. website? More likely Kelly was "contacted" separately from us, apart from Gary in England, Anders von Bergen in Finland, myself and many others in many places, times and circumstances.

At the movie's beginning, Donnie awakes, having slept near a cliff and later, as noted before, he awakes at a golf course by the seventh hole. It was as if he was taken from his bed by an unkown "force," returned and placed somewhere else, although in the movie he "sleeps-rides" on his bike. This misplacement is reported in some close encounter experiences.

In a scene with Gretchen, his girlfriend, Donnie tells her about this sleepwalking-like experience: "Every time I wake up somewhere different. Sometimes my bike is laying there next to me. Like once when I woke up on the edge of a cliff up on Carpathian Ridge."

The golf course setting is interesting in itself. The famous transient "WOW!" signal, indicating a possible intelligent signal from a distant alien civilization. reported in August 1977, was detected by the "Big Ear Radio Telescope" of Ohio State University.

The Big Ear was closed in December 31, 1997 to be dismantled and replaced by an expansion of a nearby golf course, despite many vigorous protests, including by people like Arthur C. Clarke. Donnie wakes up near a golf hole, like a rabbit hole, and golf is a variation of croquet, as played by Alice in Wonderland.

UFO AS ARTIFACT

As Donnie bikes home (the first time), his little sister is bouncing on a tramboline as his mother reads Stephen King's "It," a novel about time travel. On the second ride home, from the golf course, he discovers that his family's house was hit by a jet engine that fell from an unknown source.

It is like the crash of a flying saucer, or like a "Cosmic Fed Ex" package of mysterious information that transmits a subtle message of riddles from another universe, world or dimension. Last year scientists published a paper in the British science journal "Nature" discussing the need to look for such "Cosmic Fed Ex" messengers nearby Earth or the solar system rather than searching exclusively for extraterrestrial radio, TV and laser broadcasts.

The close encounter experience is like a "Cosmic Fed Ex," with the interface producing "information," some of it known while much of it remains "hidden" for now for some reason. The "WOW! Contact" experience is like a big "Cosmic Fed Ex" package information.

The mysterious crashed jet engine is an "artifact" as mentioned in a fictious book in the movie, "The Philosophy of Time Travel" by Roberta Sparrow. She is an ex-nun who became a science teacher, relating to the subject of science and spirituality being linked.

And now, in 1988, she is a mysterious 101-year-old woman who lives as a recluse on the town's outskirt's, and she is called "Grandma Death." She constantly checks her always empty roadside mailbox. Much like SETI scientists have been doing for 45 years with their radio telescopes looking for messages that never come! Yet Sparrow is looking for a letter from an experiencer foretold in her time travel philosophy book... who will be Donnie Darko, an "experiencer" of the mysterious, at movie's end.

In the book, first mentioned in a film sequence with Donnie's physics teacher, there is a Chapter Four - "The Artifact And The Living": "Artifacts provide the first sign that a Tangent Universe has occured. If an Artifact occurs, the Living will retrieve it with great interest and curiousity... Their appearance on Earth seems to defy logical explanation."

In the movie, the artifact is a jet engine without a source, i.e., a jet aircraft. In our close encounter experience, an artifact from "a Tangent Universe" found in our "Primary Universe" could be a UFO sighting, a close encounter experience or recall, an implant, the crashed Roswell flying disc. The jet engine even has the rounds-within-rounds spiral design seen numerous times in Nature, on Earth and in spiral galaxies.

DREAMS AS ARTIFACTS FROM A "JOURNEY"

In Chapter Twelve -"Dreams"- in "The Philosophy of Time Travel," it is stated: "When the Manipulated are awaken from their Journey into the Tangent Universe, they are often haunted by the experience in their Dreams. Many of them will not remember..."

As discussed many times throughout S.P.A.C.E. accounts, dreams hold potent clues to the encounter engima.

When time "unwinds" backwards to October 2 from Halloween Eve in "Donnie Darko," there is a beautiful emotionally moving scene of therapist Dr. Thurman, guru Joe Cunningham (Patrick Swayze), teacher Kitty Farmer, student Cherita Chen, teen Frank (who will wear the Rabbit costume on Halloween Eve) and teachers Karen Pomeroy (Drew Barrymore) and Dr. Monnitoff waking up in their own bedrooms from vivid dreams which are memories of their interaction with the "Tangent Universe" in an alternate, but real, timeline, as told throughout the movie.

This seems to happen in the close encounter experience, and is re-inforced by shared dreams among experiencers.

There are also precognitive dreams, such as the one Donnie has before he is instructed by Frank the Rabbit to sleepwalk to Middlesex High School and break open the main water pipe. The dream shows a flood, with classrooms and school lockers, with an open sky above.

Classrooms, school lockers and water are all classic elements which surface in encounter recall and dreams. Here they are first related in a precog-dream, giving us another close encounter association.

In the movie scene where Donnie and Gretchen go to see a horror movie, they are the only ones in the theater, and are joined by Frank the Rabbit. Gretchen never sees Frank, falling asleep throughout the entire movie, as if she is "switched-off." That switching-off happens to some people in close encounters as the experiencer being contacted interacts with the unknown. Experiencers interface with "two worlds."

In Sparrow's book, she writes in October 1944: "If I am still alive when the events foretold in these pages occur, then I hope you will find me before it is too late." Donnie Darko becomes the foretold "Living Receiver" (Chapter Six): "The Living Receiver is often tormented by terrifying dreams, visions and auditory hallucinations during his time within the Tangent Universe."

"Those surrounding the Living Receiver, known as the 'Manipulated,' will fear him and try to destroy him." While this is stated in the extreme, close encounter witnesses are much like the "living receiver" who has a "fourth-dimensional" interaction with "the Tangent Universe." They are often not believed and are ignored or ridiculed, or even denounced and marginalized by society.

There is also the "Oz Factor" in the movie, a term first used by UFO researcher Jenny Randles to describe the bizarre Land of Oz-like effects of the encounter and UFO interface.

In a scene where Donnie's father and a friend are watching a football game with a player named "Williams," his younger sister Samantha is running around dressed in a Dorothy from Oz dress singing "Follow the Yellow Brick Road" as Donnie experiences a time distoration and sees wormhole like "spears" extending from people.

FRANK THE RABBIT MESSENGER

And all throughout the movie is the RABBIT, as guide, messenger and trickster. Under hypnosis with Dr. Thurman there is this exchange about Frank when she asks Donnie if anybody else can see him:

Donnie: "I don't think so. It's like a TV station. And they're tuned into mine and no one else's."

Dr. Thurman: "Who is they? Is Frank part of some larger group?"

Donnie: "I don't know Gretchen (his girlfriend) has a theory. That Frank is a sign."

Earlier Donnie and Gretchen are talking about what Donnie describes as "a Force... that sends you someplace." Gretchen says of Donnie's dreams: "Well... maybe someone is like... giving you these dream steroids..."

It was startling to us who are experiencing the "WOW! Contact" that the RABBIT plays a big role in this spooky close encounter-like movie that is not, overtly, about the UFO experience.

One key book to this Rabbit-UFO connection is a non-UFO book from the early 1940's. Whch is strangely coincidently around the time when the fictional Roberta Ann Sparrow wrote her "Philosophy of Time Travel" book in 1944.

I refer to "The Lady of the Hare: Being A Study of the Healing Power of Dreams," mentioned in our e-book (see chapter on links list below), the classic early 1940s study by anthropoligist and Jungian analytic therapist John Layard. The book was again published in 2002 by Kegan Paul in London.

The book is in two parts: "The Dream Analysis" and "The Mythology of the Hare." The patient's breakthrough, achieved through theraputic sessions while analyizing her dreams in 1940, comes when she relates a dream in which she is she is told to kill a hare. Later, Layard, unfamiliar with the huge mythological literature on hares and rabbits, learns that a story of a hare sacrficing itself to feed a starving Buddha, who then sends its spirit to the Moon, is what the dream reflects, and that the Hare is an archetype that emerged into the patent's dream from the shared human unconscious.

The Swiss therapist and UFO dream researcher Dr. Remo Roth, in Chapter 13 of the "Project Wonderland Chronicles" sees the RABBIT as a sign of "a new creation, a new genesis." It represents breakthrough.

In "Donnie Darko," Donnie in the movie's climax by"the Cellar Door" shoots the real teenaged Frank, who had removed his Rabbit headress, in the eye, killing him after his car runs over Gretchen, killing her.

This destruction sets the stage for resurrection and new life (a theme of Graham Greene's "The Destructors") by the rapid unwinding of time backwards, resulting in creation, although Donnie must now die when the jet engine crashes through his bedroom. He is the sacrifice, laughing, after he kills "the rabbit."

With Donnie, we have a portrait of a participating witness who experiences two interconnected realities, our familiar "primary universe" world and an askewed "tangent universe" world parelleling and interfacing with the "primary universe." That is the setting that close encounter witnesses often find themselves.

There is much hidden meaning, strange inference and a food-for-thought feast in Richard Kelly's brilliant movie, "Donnie Darko." The close encounter connection cannot be dismissed, even if it was unintended by Kelly but only seeped through by some other means of "Knowing."

Ironically, Kelly's next movie is a science fiction film called "Knowing." He's not talking about it.

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"INET," NEW EXPERIENCER THERAPIST ALLIANCE FORMED

Saturday, April 2, 2005 -- A new alliance of organizations with thearpists who work with close encounter witnesses has been formed.

The International Network of Experiencer Therapists, INET, was recently launched by three organizations: the International Contact Support Network - ICSN, the John E. Mack Institute, JEMI, and the Organization for Paranormal Understanding Support - OPUS.

"We are coming together for the purpose of maintaining a master network or directory of therapists who service the 'experiencer' population -- people whose lives have been deeply affected by close encounters or similar extraordinary experiences," reports the INET press release. "We are allied for a priority that supercedes any of our varying opinions and beliefs about aliens, helping people-in-need without pathologizing them."

The announcement told of INET's intention to "broaden the alliance" with similar organizations who work with their own lists of clinicians, providing a secure network" for therapists and group representatives.

Also, as reported in an issue of the "S.P.A.C.E. EXPLORERS CONTACT NEWSLETTER" last year, the Budd Hopkins' Intruders Foundation launched its new, unique Abductee Care Services, ACS.

And last year the website of David Jacobs' International Center for Abductee Research, ICAR, was upgraded and expanded to include more in-depth reports of Dr. Jacobs' studies with illustrations.

For more information on INET, ACS and ICAR, check the links below.

[S.P.A.C.E. NOTE: While therapy seems an essential and critically helpful process in dealing with the over-powering emotional impact of close encounters, and provides vital telling clues and reveals patterns to the contact mystery, it may not necessarily reveal with finality its overall source and purpose. It is not the primary means to learn about the nature of contact, nor is therapy obviously required for all those who have contact. It is one of several ways to explore the extraordinary experience of contact. All ways are valid in unlocking the UFO mystery. No one path is exclusive.]

RELIGION & EXTRATERRESTRIALS

Saturday, April 2, 2005 -- With the passing of the supreme religious leader of over one billion of planet Earth's population today, Pope John Paul II, and talk about the future of the Roman Catholic Church and the new pope in the 21st Century, the prospect of a formal and official recognition by the world at large of intelligent life elsewhere in this century presents a challenge to all strata of society.

The Catholic Church has studied the issue and one of its top theologicans, Monsignor Corrado Balducci, now retired, made front page headlines in Italy in the 1990s with his open and positive views on the issue. Extraterrestrial contact is a real phenomenon, he said, and "not due to psychological impairment."

We present those views on the link below - "UFO's And Extraterrestrials: A Problem for the Church?" - along with The Vatican Observatory website, in Tuscan, Arizona. The New York Times Magazine, in the 1990s, had a feature story on the Roman Catholic Church's position on ETs.

The seminal work on this was done by Reverend Barry Downing, a minister in Elmira, NY in his classic book, "The Bible And Flying Saucers" 35 years ago. NICAP, the National Investigations Committee on Aerial Phenomenon, in 1960 had a clergy person on its board of directors. Today Reverend Michael Carter has a soon to be pubished book on the subject based on his doctorial thesis at the Unio Theological Seminary; his views can be found in our "S.P.A.C.E. Orbitzine" Archives.

The first Hollywood movie treatment of the issue was the 1952 classic "Red Planet Mars" starring Peter Graves, set in a Cold War framework with the overthrow of the Communist government replaced by the Russian Orthodox Church upon Christ broadcasting messages from Mars, and the last was "Contact" starring Jodie Foster in 1998, based on Carl Sagan's 1985 science fiction novel focusing on science and spirituality.

NO APRIL FOOLING -- IRON CURTAIN LIFTS ON "FLYING SAUCER"

Friday, Aprl 1, 2005 -- As the comic TV show secret agent Maxwell Smart would say to the Chief and Agent 99: "Would you believe, a Soviet flying saucer?" No, he wasn't making an April Fools joke.

This is a photo of a late 1970s experimental hovercraft in the classic flying saucer shape. Not at all a "back-engineered spacecraft," it was actually a thick flying single wing-type aircraft that flew on an air cushion and could lift half its own weight, according to "Moskovsky Komsomolets."

Developed by Russian inventors, it was tested in 1988 in Nizhay Novgorod and after an accident, it was moved to a plant in Saralov, where American inventors visited it. According to the Russian newspaper, the government lost interest in it, and now it sits in a hanger. [-- photo and information thanks to "Filer's Files"]

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