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AS THE SCREW TURNS |
We took a little bacon
And we took a little beans
Eleven LVTs
And a couple of Marines
We're the boys from the Gator Navy
Out of San Diego to the shores of RVN
We fired our guns but the Cong kept-a-comin'
We couldn't keep 'em off not to save our skin
We fired once more and they begin to runnin'
Up the Saigon River to the Gulf of Tonkin
I wrote this in January, 1967. It plays to the tune of the "Battle Of New Orleans."
PARTIAL CHRONOLOGY OF THE WAR
1954 Dien Bien Phu Falls |
Get ready boys. You might need these 50s, so practice, practice, practice. Go ahead, We've got lots of ammo.
Photo captured from 8mm film
Film courtesy Bill Stute.
Now, here's a man who knows how to stitch the enemy. That's Harry Black at the butterfly.
--Photo captured from 8mm film.
Film courtesy Bill Stute.
Well, we're in Vietnam. I didn't know what everyone else was thinking, but I was wondering how I was going to spend the next couple of years doing this war shit. Yet that's what I was there for, and if other men hadn't been there--in places like this when the time came--what kind of world would I have grown up in. I came into life on the tail of WWII. My father's generation paid for that. So this was my time to pay the dues, to stand up to the hardest thing a man has to do: be brave when inside he wonders whether he has the guts to kill or be killed. In the end I managed that concern fairly well, but not without the added courage of shipmates who were just as scared. I think we were all concerned on that first day, yet no one showed a sign of that. Of course, in time you can get used to anything--and we did.
40mike mike AA machine gun trained on the banks of the Saigon River.
Looking from the wheelhouse that morning, I couldn't tell a VC from a water buffalo. Every living
thing in black was likely the enemy in my eyes.
--Photo captured from 8mm film.
Film courtesy Bill Stute.
On arrival in Saigon, the first thing I noticed was the shit floating alongside a junkboat community. At the front end of the boat a woman is washing a black pot while at the rear turds bob in the water.
We were there to off-load the LCU, and that required the use of a 400-ton floating crane. While we waited for that to happen, RVNs (Vietnamese or South Vietnamese soldiers) were on deck, squatting on their heels and eating rice. The reason for the delay was unknown to me. However, scuttlebutt said the crane crew wanted to lift each of six trucks from the LCU at $10,000 a lift. Eventually, the deck-hoggging monster utility craft was gone.
Darkness brought new sounds to add to new smells, that of gunfire--a never forgotten barooom from the cannoneers--and the equally memorable sight of starshells floating down from a black sky. We're in the thick of it, I imagined.
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Beauty beckons the lens A landscape yearns for painting Astonishing, this Asian world Of strife and fear of dying Deep rich green and earthen brown Random streaks in lighter shades A red-black sky is background as Sunlight slowly fades |
Then tracers race acoss its plain Starshells burst high above it The grandeur of nature's artistry Enhanced by man's part of it Brilliant red and amber flashes Silhouettes of shapes of trees Graceless figures in the air Screams echo, then pleas |
Stillness follows havoc Hurried hearts punish veins Surveys take in blackness While uncertainty remains Then daylight stirs its creatures The crimson touch critiqued Since added to the scenery Man's part is now complete |
by L. Clint Whittaker
Here a .50 calibre machine gun (one of eight small MGs) is mounted aft below a 40mm gun tub and its silhouette is a reminder that we're "not in Kansas anymore."
Photo Bill Stute
| Brown water, starshells, and reports from heavy guns. There are people living on this river, families in small boats. On the shore, a dog is tied to a post outside a cafe. It is kept there alive so to be fresh for dinner. |
NORWOOD'S REVENGE
FT striker Kenneth Norwood had one chance to avenge his brother's death in Vietnam. That moment came while we were re-negotiating the Saigon River on our way to the next assignment in Danang. Naturally, the ship was at battle readiness and Norwood was the fire control technician (FT) overseeing gunmounts 44, 45, and 46. He was ready, even eager, for action. |
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NEXT STOP, NORTH TO I-CORPS AND THE DANANG-CHU LAI SHUTTLE |
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Heavy weather delayed our arrival in Danang, and cracked our main deck. When we finally stood into port, hauling munitions marked our first campaign. |
| Two pallets of beer fell from a civilian ship in Danang Harbor. Early on, plotting eyes were watching that. Later, that evening, as tanks and vehicles rumbled up the bow ramp and into the tank deck, these mindful sailors and marines carried out a heist...or...uh rescue of said contraband. With darkness, the wily gators took to the water for that very special sunken treasure. And, sure as Noah was a boat coxswain, the hearty, thirsty seafarers hauled up their sudsy booty. This action initiated the Great Navy-Marine Tank Deck BEER BLAST, a successful if rather unsophisticated tactical maneuver designed to temporarily ease the pain of war. But then came the Marine OOD. The jig was up. Everybody was "busted." Oh really? Not so, really. The OD joined the party. And there it was: Marines, Navymen, beer...and Vietnam. The only thing missing was a truck-load of short-times. By early morning, everyone was "Dinky Dow," and feeling the groove. |
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SERIOUSLY, THOUGH... |
Escalation of the war began here, in 1965, with the arrival of the 3rd Marines. Danang was headquarters for the Naval Support Activity and, at first, the city seemed quite ordinary, a typical town of the Orient. But the war was there, in the streets, in the hills, and in the water. The barber cut hair by day, killed GI's by night. The old papa-san and his lovely daughters came daily to fetch pieces of wood, the scraps from busted pallets which, apparently, they sold or bartered. Was it a simple hustle, or the workings of an underground tunnel? Wood makes for good shoring.
--Photo captured from 8mm film.
Film courtesy Bill Stute.
--Photo Bill Stute
Take a mortar here and we'll all be satellites.
The thing I remember most about these Naval Support Activity guys was the way they could handle the Pettibone heavy-terrain forklift.
--Photo captured from 8mm film.
Film courtesy Bill Stute.
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Starshells, cannons, choppers, tracers...sights and sounds of Vietnam. |
HE DROPPED BACK AND THREW A BOMB ?
Not really. But ex-Naval Academy star, and later Dallas Cowboy's quarterback, Roger Staubach paid us a visit in Chu Lai. He was doing his 'Nam time on the way to pro-football greatness. |
AND THEN, THERE WAS CUA VIET
Here's 601, beached after negotiating the Cua Viet River, supply line to the 3rd Marines and target of NVA troops and sappers. No joy in this place. Don't let the daytime serenity fool you. The nights belonged to Charlie.
--Photo Bill Stute
MOGAS
All day working party, a couple thousand barrels of mogas and a dash of NVAs--that's one dangerous cocktail. |
To get an idea of what goes on here--this ain't no beach house. The thing I noticed most about Cua Viet was the readiness, and the craters from incoming. Mortars dropped in like rain. At night the dark plains were streaked with bright tracers. It was a spooky place, and a dangerous one. Even our own guys--SEALS--were spooky, creeping around in shallow boats.
The Coconino County was blasted here and, following that incident, we deployed picket boats at night to drop grenades in the water. When the boatcoxswain sensed trouble, he would also fire random .30 calibre rounds into the water. Bullets can ricochet off the water. Onboard ship, riflemen and grenadiers patroled the main deck, dropping concussion grenades at random intervals.
A mix of white sand beaches and black craters, Cua Viet was no Rio resort. It was truly an eerie place, one I never want to see again. I saw it plenty all right, since we made this northern run several times. Always, we hoped to get out before nightfall. Most times we didn't.
Amber starshell...SOP; red starshell...take cover.
-Photo Bill Stute
R&R: off the line, the 5-DAY break between war an upkeep. Pictured are: Standing l-r, R. Farley BM3, Bill Stute DC3, Mike Delaney FN; Seated with the girls, R. Roberts BM1
-Photo Bill Stute
Photo captured from 8mm film.
Film Bill Stute
Film Bill Stute
Rusty and worn from rivers and sea, Clarke is inport Guam for repairs.
(Photo Jim Hartman/Bill Stute)
Like World War II, the Vietnam War was a music war, only our music was "rhythm & blues" and "rock n roll"...Motown and the Rolling Stones. What "In The Mood" did for WWII, "We Gotta Get Outta This Place" did for Vietnam.
Ship's Bandmembers
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Holloway, lead guitar
Whittaker, rhythm guitar
Biddle, rhythm guitar
Iwen, trumpet
"Play a few licks, will you boys?"
That's me with the guitar in a photo taken aboard Cheboygan County before Clarke's recommissioning and arrival in Vietnam.
--Photo Steve Murdoch
Biddle and Me hitting a lick at sea.
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