UNDERWAY SOUTH VIETNAM



AS THE SCREW TURNS

We took a little bacon
And we took a little beans
Eleven LVTs
And a couple of Marines

We're the boys from the Gator Navy
Out of San Diego to the shores of RVN
We fired our guns but the Cong kept-a-comin'
We couldn't keep 'em off not to save our skin
We fired once more and they begin to runnin'
Up the Saigon River to the Gulf of Tonkin


I wrote this in January, 1967. It plays to the tune of the "Battle Of New Orleans."

PARTIAL CHRONOLOGY OF THE WAR

1954 Dien Bien Phu Falls
1959 Saigon Terrorist Attack Kills 2 GIs
1962 US Prepares For More Involvement
1963 US Joins In Combat Missions
1963 Americans Die In Plain of Reeds Battle
1963 Saigon US Embassy Invaded
1963 RVN President Diem Ousted
1963 15,000 Americans In Vietnam
1964 Johnson Denies War's Extension
1964 USS Maddox Attacked In Tonkin Gulf
1964 Johnson Orders Navy To Fight
1964 Johnson Builds-Up US Naval Forces
1965 US Army Barracks Attacked
1965 3500 Marines Arrive In Danang
1965 Navy Attacks Vietnam Land Targets
1965 Advisory Role Becomes Combat Role
1965 50,000 New Troops Arrive In RVN
1965 Johnson Hikes Troop Strength
1965 Navy Build-Up Of Riverine Forces
1965 Navy Enters Ground War
1966 Fresh Troops Arrive
1966 20,000 More Troops Arrive
1966 Marines Assault Mekong Delta Sappers
1966 Major Naval Operations Begin

SMALL ARMS PRACTICE

Get ready boys. You might need these 50s, so practice, practice, practice. Go ahead, We've got lots of ammo.

CAPTAIN GOLDSBERRY TAKES A SHOT

Photo captured from 8mm film
Film courtesy Bill Stute.

Now, here's a man who knows how to stitch the enemy. That's Harry Black at the butterfly.

--Photo captured from 8mm film.
Film courtesy Bill Stute.


SUDDENLY, ON STATION AT VUNG TAU, SOUTH VIETNAM



Well, we're in Vietnam. I didn't know what everyone else was thinking, but I was wondering how I was going to spend the next couple of years doing this war shit. Yet that's what I was there for, and if other men hadn't been there--in places like this when the time came--what kind of world would I have grown up in. I came into life on the tail of WWII. My father's generation paid for that. So this was my time to pay the dues, to stand up to the hardest thing a man has to do: be brave when inside he wonders whether he has the guts to kill or be killed. In the end I managed that concern fairly well, but not without the added courage of shipmates who were just as scared. I think we were all concerned on that first day, yet no one showed a sign of that. Of course, in time you can get used to anything--and we did.

AT THE READY IN SAIGON RIVER

40mike mike AA machine gun trained on the banks of the Saigon River.

Looking from the wheelhouse that morning, I couldn't tell a VC from a water buffalo. Every living
thing in black was likely the enemy in my eyes.


--Photo captured from 8mm film.
Film courtesy Bill Stute.

WELCOME TO SAIGON

On arrival in Saigon, the first thing I noticed was the shit floating alongside a junkboat community. At the front end of the boat a woman is washing a black pot while at the rear turds bob in the water.

We were there to off-load the LCU, and that required the use of a 400-ton floating crane. While we waited for that to happen, RVNs (Vietnamese or South Vietnamese soldiers) were on deck, squatting on their heels and eating rice. The reason for the delay was unknown to me. However, scuttlebutt said the crane crew wanted to lift each of six trucks from the LCU at $10,000 a lift. Eventually, the deck-hoggging monster utility craft was gone.

Darkness brought new sounds to add to new smells, that of gunfire--a never forgotten barooom from the cannoneers--and the equally memorable sight of starshells floating down from a black sky. We're in the thick of it, I imagined.



FINISHING TOUCH: The Art Of War







Beauty beckons the lens
A landscape yearns for painting
Astonishing, this Asian world
Of strife and fear of dying

Deep rich green and earthen brown
Random streaks in lighter shades
A red-black sky is background as
Sunlight slowly fades





Then tracers race acoss its plain
Starshells burst high above it
The grandeur of nature's artistry
Enhanced by man's part of it

Brilliant red and amber flashes
Silhouettes of shapes of trees
Graceless figures in the air
Screams echo, then pleas






Stillness follows havoc
Hurried hearts punish veins
Surveys take in blackness
While uncertainty remains

Then daylight stirs its creatures
The crimson touch critiqued
Since added to the scenery
Man's part is now complete





by L. Clint Whittaker





Photo captured from 8mm film.
Film courtesy Bill Stute

SUNRISE IN SAIGON

Here a .50 calibre machine gun (one of eight small MGs) is mounted aft below a 40mm gun tub and its silhouette is a reminder that we're "not in Kansas anymore."

Photo Bill Stute

SAIGON RIVER

Brown water, starshells, and reports from heavy guns. There are people living on this river, families in small boats. On the shore, a dog is tied to a post outside a cafe. It is kept there alive so to be fresh for dinner.


--Photo captured from 8mm film.
Film courtesy Bill Stute.

NORWOOD'S REVENGE

FT striker Kenneth Norwood had one chance to avenge his brother's death in Vietnam. That moment came while we were re-negotiating the Saigon River on our way to the next assignment in Danang. Naturally, the ship was at battle readiness and Norwood was the fire control technician (FT) overseeing gunmounts 44, 45, and 46. He was ready, even eager, for action.

But, at first, the return trip was as uneventful as our arrival run the day before. However, halfway down river, we got trouble. A civilian freighter came up behind us making full steam. Obviously, its captain intended to overtake us because he signaled, repeatedly, with two blast from his ship's horn. Yet at that point river conditions were too risky to chance such a maneuver. So the Clarke OOD ordered me (I was BMOW) to reply with four blast from our ship's horn, indicating the danger. Despite the warning signal, that freighter zipped by us at full speed, passing aport as it made a mad, frantic dash to some imagined point of safety. Instead, and unfortunately, the vessel failed to negotiate a sharp bend in the river. Consequently, it ran aground where it was immediately taken under fire by enemy forces in the brush.

In short time, the Clarke approached the grounded ship, passing it astern. And by that time FTSN Norwood had sighted in on the freighter's VC attackers. He immediately begged permission to open fire, but the C.O. refused to shoot for fear of hitting the imperiled merchantman with HEIT, high explosive rounds. Otherwise, we would likely have had our first combat action.

Ulias Wilson was a .50 cal machine-gunner that day and, in a recent telephone conversation, he recalled the fright and confusion of the moment. He was on the port side, aft, where he could hear firing from the starboard side. "I knew that freighter was under attack. But they said not to chamber a round until I was told. I wasn't sure I could wait that long. I could hear the gun crew above me saying, 'there they [the VC] are. Swing around. '"

Steve Murdoch recalls that "half way down the river a merchant ship San Jose New York was going twice our speed...she hit a sandbar or shallow water...she was trying desperately to get away. She almost looked like she was beached...some Viet Cong...hiding in the brush by the bank opened machine gun fire...we had our after gunmounts trained...We didn't shoot them for fear of hitting the merchant ship..."

Unfortunately, we were not in position to help that freighter, and Kenneth Norwood never got another chance to avenge his brother. He fell from the truck ramp and was sent home from the war; perhaps for the best. One brave Norwood was already gone.

NEXT STOP, NORTH TO I-CORPS AND THE DANANG-CHU LAI SHUTTLE

Heavy weather delayed our arrival in Danang, and cracked our main deck. When we finally stood into port, hauling munitions marked our first campaign.

We were rookies on the line, so the dirty part came first. "Load tanks, ammo, and fuel," the orders read. "Take them wherever they are needed. But keep an eye out because the VC know you're coming. Spotters along the banks of these skinny serpentine rivers report U.S. ship movements. The enemy will be waiting."

And we'll be watching. If necessary, we'll give them a taste of our "40 mike mikes." They'll give us mortars or B40 rockets in reply.

Make a run to Chu Lai and back to Danang. Tien Sha Ramp, White Elephant...load the bombs and the bullets...hubba hubba, get your ass moving...busy people cross the bridge...girls in long white dresses with parisols...men with livestock...long roads into the countryside...bunkers...tanks.

Spend some script, not on her...black syph you fool.

Me give you long time...

Make a run to Qui Nhon...little amber lights float down from the sky...baroom baboom..."Smokey sings"...killers are the children of the night...hillsides slope...grass is high.

Grab a beer...catch a smoke...what the world needs now is love, sweet love...

Send a letter...Dear Mom...Dear Linda...and Dear Abby

Mail call, "Dear John"...

DANANG HARBOR AND OPERATION BEER BLAST "Now, this ain't no shit."

Two pallets of beer fell from a civilian ship in Danang Harbor. Early on, plotting eyes were watching that. Later, that evening, as tanks and vehicles rumbled up the bow ramp and into the tank deck, these mindful sailors and marines carried out a heist...or...uh rescue of said contraband. With darkness, the wily gators took to the water for that very special sunken treasure. And, sure as Noah was a boat coxswain, the hearty, thirsty seafarers hauled up their sudsy booty. This action initiated the Great Navy-Marine Tank Deck BEER BLAST, a successful if rather unsophisticated tactical maneuver designed to temporarily ease the pain of war. But then came the Marine OOD. The jig was up. Everybody was "busted." Oh really? Not so, really. The OD joined the party. And there it was: Marines, Navymen, beer...and Vietnam. The only thing missing was a truck-load of short-times. By early morning, everyone was "Dinky Dow," and feeling the groove.






--Photo captured from 8mm film.
Film courtesy Bill Stute.

SERIOUSLY, THOUGH...

Escalation of the war began here, in 1965, with the arrival of the 3rd Marines. Danang was headquarters for the Naval Support Activity and, at first, the city seemed quite ordinary, a typical town of the Orient. But the war was there, in the streets, in the hills, and in the water. The barber cut hair by day, killed GI's by night. The old papa-san and his lovely daughters came daily to fetch pieces of wood, the scraps from busted pallets which, apparently, they sold or bartered. Was it a simple hustle, or the workings of an underground tunnel? Wood makes for good shoring.

--Photo captured from 8mm film.
Film courtesy Bill Stute.

--Photo Bill Stute

Take a mortar here and we'll all be satellites.

The thing I remember most about these Naval Support Activity guys was the way they could handle the Pettibone heavy-terrain forklift.


--Photo captured from 8mm film.
Film courtesy Bill Stute.

Starshells, cannons, choppers, tracers...sights and sounds of Vietnam.


CHU LAI




Chu Lai was the other end of the famous "shuttle-run." And, like Danang, the NSA guys knew how to load and off-load in a hurry.


HE DROPPED BACK AND THREW A BOMB ?

Not really. But ex-Naval Academy star, and later Dallas Cowboy's quarterback, Roger Staubach paid us a visit in Chu Lai. He was doing his 'Nam time on the way to pro-football greatness.

(Thank you, David Totten CTT1 USN Retired)


AND THEN, THERE WAS CUA VIET




Here's 601, beached after negotiating the Cua Viet River, supply line to the 3rd Marines and target of NVA troops and sappers. No joy in this place. Don't let the daytime serenity fool you. The nights belonged to Charlie.


--Photo Bill Stute

MOGAS

All day working party, a couple thousand barrels of mogas and a dash of NVAs--that's one dangerous cocktail.

All hands E-3 and below were assigned to off-load 3000 barrels of mogas, by hand. While that shit was onboard we were a floating bomb. Nightfall made matters worse, so a couple of guys who feared a sapper attack had armed themselves and taken up positions on the fantail as volunteers who would stand guard all night. Now this is one of those lovable incidents of humor in war because by morning the so-called "back-up guards" were fast asleep, and their weapons were scattered all over the place. Oh, to be sure, the guys' intentions were honorable. Still, it was a good thing the regular watch was on duty.

CUA VIET

To get an idea of what goes on here--this ain't no beach house. The thing I noticed most about Cua Viet was the readiness, and the craters from incoming. Mortars dropped in like rain. At night the dark plains were streaked with bright tracers. It was a spooky place, and a dangerous one. Even our own guys--SEALS--were spooky, creeping around in shallow boats.

The Coconino County was blasted here and, following that incident, we deployed picket boats at night to drop grenades in the water. When the boatcoxswain sensed trouble, he would also fire random .30 calibre rounds into the water. Bullets can ricochet off the water. Onboard ship, riflemen and grenadiers patroled the main deck, dropping concussion grenades at random intervals.

A mix of white sand beaches and black craters, Cua Viet was no Rio resort. It was truly an eerie place, one I never want to see again. I saw it plenty all right, since we made this northern run several times. Always, we hoped to get out before nightfall. Most times we didn't.

Amber starshell...SOP; red starshell...take cover.


-Photo Bill Stute

AFTER 3 MONTHS ON-LINE, R&R (I&I) HONG KONG APRIL 1967

R&R: off the line, the 5-DAY break between war an upkeep. Pictured are: Standing l-r, R. Farley BM3, Bill Stute DC3, Mike Delaney FN; Seated with the girls, R. Roberts BM1

-Photo Bill Stute

Liberty Boat

Photo captured from 8mm film.
Film Bill Stute

SNAPSHOT HONG KONG

Film Bill Stute

UPKEEP

Rusty and worn from rivers and sea, Clarke is inport Guam for repairs.


(Photo Jim Hartman/Bill Stute)

Clarke County Rock 'n Roll Band

Like World War II, the Vietnam War was a music war, only our music was "rhythm & blues" and "rock n roll"...Motown and the Rolling Stones. What "In The Mood" did for WWII, "We Gotta Get Outta This Place" did for Vietnam.

Ship's Bandmembers
______________
Holloway, lead guitar
Whittaker, rhythm guitar
Biddle, rhythm guitar
Iwen, trumpet

"Play a few licks, will you boys?"

Head Call

That's me with the guitar in a photo taken aboard Cheboygan County before Clarke's recommissioning and arrival in Vietnam.

--Photo Steve Murdoch

Biddle and Me hitting a lick at sea.


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