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Robert Keser's film reviews, cinema articles, critiques, film histories
Robert Keser is assistant professor in film in the Fine Arts department of National-Louis University in Chicago, and associate editor of Bright Lights Film Journal. He has written for the Pesaro Film Festival (Italy), the Jeonju Film Festival (South Korea) and the Melbourne Cinémathèque (Australia). More of his film writing can be found at Senses of Cinema and Slant magazine.
Also, see his entries on Army of Shadows, Becky Sharp, Ben-Hur (1925), Black Narcissus, Blonde Venus, Box Office Poison, The Cheat, The Crowd, Eisenstein in Hollywood, Fire at the Cinémathèque Française, The First Cannes Film Festival, From Here to Eternity, Death in Venice, L'Enfant, I'm No Angel, It's a Wonderful Life, Kolberg, The Kuleshov Effect, Maborosi, The Manchurian Candidate (1962), Man With the Golden Arm, Midnight Cowboy, The Miracle of Morgan's Creek, One Way Passage, The Paramount Divestiture Decree, The Purple Rose of Cairo, The Scarlet Empress, Strike, Trouble in Paradise, Vampyr, The War Game, and Zelig in "The Little Black Book: Movies" (Chris Fujiwara, ed.), London: Cassell Illustrated, 2007.
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